[EASY-LISTENING MUSIC PLAYING]
A FANTASTIC WOMAN
[WATER PATTERING]
- Monica? MONICA: Yes?
Have you seen a big, white envelope I left on my desk?
No, Mr. Orlando, I haven't.
Thanks.
[CHATTERING]
- Hello. - Good afternoon.
Can I have some paper and an envelope?
Sure, let me see.
Great.
[ELEVATOR BELL DINGS]
WOMAN: ♪ Your love is like Yesterday's newspaper ♪
♪ No one wants to read it anymore ♪
♪ Sensational when it was published In the morning ♪
♪ Reports are confirmed by midday ♪
♪ By afternoon The story's forgotten ♪
♪ Your love is like Yesterday's newspaper ♪
♪ Its headlines filled the front page ♪
♪ So you're known everywhere ♪
♪ I cut out your name and kept it ♪
♪ Pasting it into my album of oblivion ♪
♪ Your love is like Yesterday's newspaper ♪
CHORUS & ORLANDO: ♪ And what's The point of reading yesterday's paper? ♪
♪ News that everyone knows ♪
♪ And which I don't want to read ♪
[CHORUS & ORLANDO SINGING IN SPANISH]
♪ You were good for nothing, baby ♪
♪ So I threw you in the trash ♪
[CHORUS SINGING IN SPANISH]
♪ I had you, I loved you I supported you ♪
♪ But I no longer love you ♪ ♪ No longer love you ♪
- Good evening. HOSTESS: Good evening.
I reserved for "Orlando Onetto."
One second.
[PAPER RUSTLING]
Yes, that's right. Table 41.
[SPEAKS IN ENGLISH]
- Thanks. WAITER: Follow me.
[SINGING "HAPPY BIRTHDAY" IN MANDARIN]
[MUSICAL CANDLES PLAYING TUNE]
[ORLANDO & MARINA CHUCKLE]
Thank you, Orlando.
[SPEAKS IN MAN DARIN]
MARINA: Thank you! WAITER: I'll bring out some slices.
Thank you.
[MARINA SPEAKS IN ENGLISH]
[SPEAKS IN MAN DARIN]
Thanks, love.
A musical cake and everything!
Um, ahem.
- Here. - Oh.
How formal. Hey.
"Valid for two trips to lguazu Falls."
- Orlando! - It's no small thing.
It's one of the Natural Wonders of the World.
- Wow! - Heh-heh.
When do we go?
In 10 days.
In 10 days?
[CHAIR SLIDES OUT]
MARINA: Hm.
[MARINA CHUCKLES]
And why "valid for"?
It's a long story.
You haven't bought them yet?
Yes, I bought them, printed them out...
...and put them in an envelope.
And then?
I had them at the sauna.
And?
I don't remember where the fuck I put them.
Poor, senile old man.
[CHUCKLING]
[OVER SPEAKERS IN ENGLISH] ♪ Goodbye, my friend ♪
♪ Who knows when we shall meet ♪
♪ The stars wait for me
♪ Who knows where we shall meet again ♪
♪ If ever ♪
♪ But time
♪ Keeps flowing like a river
♪ >On and on
♪ To the sea ♪
♪ Till it's gone forever
♪ Gone forever
[LIGHT CLICKS AND DINGS]
[DOORKNOB RATTLING]
[ORLANDO GRUNTS THEN CHUCKLES]
ORLANDO: We'll have to ask the doorman for help.
[BOTH LAUGH]
[LIGHT CLICKS AND DINGS]
Oh.
[ORLANDO CHUCKLES]
[GLASSES CLATTER]
[BREATHING HEAVILY]
Orlando?
- Orlando, what's wrong? - I don't know.
"I don't know"?
ORLANDO: I don't know what's wrong with me.
[SPEAKS IN SPANISH]
What the fuck is wrong? Get up. Come on.
[MARINA GRUNTS]
Honey.
What's wrong with you?
[DIABLA BARKING]
Lean against the wall. Here.
[ORLANDO GRUNTS]
Look at me.
Here.
Do you have the keys?
No.
[SPEAKS IN SPANISH]
Wait here.
[DIABLA CONTINUES BARKING AND ORLANDO EXHALES DEEPLY]
No, Diabla, stop that! Come here!
Diabla!
[GRUNTING]
[MARINA SPEAKING IN SPANISH THEN LIGHT DINGS]
Orlando, honey!
[DIABLA BARKS]
[DIABLA WHIMPERING AND BARKING]
- Let's go! - I'm fine.
[MARINA SPEAKS IN SPANISH]
MARINA: Talk to me, honey. Okay?
Talk to me!
[MARINA SPEAKS IN SPANISH]
Please!
Talk to me!
Where are we going?
To the hospital, Orlando, where else?
Focus, okay?
[GRUNTING AND BREATHING HEAVILY]
Hurry.
What?
Hurry up-
[SPEAKS IN SPANISH]
I will, honey.
[CAR HORN HONKING]
MARINA: Help me, please!
PARAMEDIC: Easy, ma'am. We've got him.
You okay? What's your name? Can you hear me?
Juan Pablo, hurry up!
Careful, careful!
One, two, three.
[MARINA & PARAMEDIC SPEAK IN SPANISH]
- What's your name? Can you hear me? - His name is Orlando.
- What happened? - I don't know!
- Is he on medication? - No.
- How old is he? - Fifty-seven.
PARAMEDIC: Hurry up, he's not responding!
Did he feel sick?
He woke up with a headache and was acting strange.
- When? - Maybe 15 or 20 minutes ago.
PARAMEDIC: Unconscious male patient, 57, hemorrhage on the left side.
Frontal contusion.
Ready? One, two, three.
Graciela, call the doctor. Pass the scissors.
NURSE: Watch his pulse. PARAMEDIC: Careful of his shirt.
- Miss, you have to go. - I brought him as fast as I could.
Please wait outside. We'll take care of him.
Stay calm.
Go, go.
[MEDICAL STAFF CHATTERING]
[MONITOR BEEPING]
[MARINA SPEAKING IN ENGLISH]
- Are you a family member? - No, I brought him in.
- So you don't know him? - Yes, we're friends.
Uh...
These are his things.
[SPEAKS IN ENGLISH]
They can't be in there.
[SPEAKS IN ENGLISH]
How is he?
They'll let you know.
Just wait a bit.
[DOOR OPENS THEN CLOSES]
[PLASTIC BAG RUSTLES]
[DOOR OPENS]
- Good evening. - Good evening.
[DOOR CLOSES]
So are you a member of Mr. Onetto's family?
Yes.
- Are you his partner? - Yes, we're partners.
- Sorry, your name is...? - Marina Vidal.
Uh...
But that's a nickname?
Excuse me?
Could you come with me...
...to talk in private?
Is something wrong?
No, I'd like to talk to you.
- But is there a problem? - No.
This way.
[HIGH-PITCHED RINGING]
[BREATHING HEAVILY]
[PANTING]
[FAUCET RUNNING]
[LINE RINGING]
MAN [ON PHONE]: Orlando?
I'm Orlando's friend.
- With whom am I speaking? - With Marina
- I'm-- - Yes, I know who you are, ma'am-
The thing is, Orlando started feeling sick.
When?
About an hour and a half ago.
I brought him to the hospital, but...
Which hospital?
Saint Thomas.
Mm-hm.
And he collapsed in the car.
Uh-huh.
- And he died. - He died?
Yes, just now.
The doctor says it was an aneurysm.
I'm very sorry.
[MAN SIGHS ON PHONE]
Hallo?
Yes, I'm here.
- You haven't called anyone else, right? - No, no one.
Fine.
But I need someone to come here. I can't take care of this.
Don't worry. I'll tell the family.
- Uh-huh. - Don't cal! anyone.
Ok?
Ok.
[LINE DISCONNECTS]
[MEN SPEAKING INDISTINCTLY]
[POLICE SIREN WAILS]
Miss Marina Vidal?
- Yes, what is it? - Come with me, please.
[CHATTERING]
Sergeant.
Thank you.
Excuse me.
You didn't have to treat me like a criminal.
I'll leave you to your work.
Miss, I need your details.
- Here? - Here.
Full name.
Marina.
Do you have your ID card?
[MARINA SIGHS]
It's still pending, sir.
Until it has changed, this is still your legal name.
My name is Marina Vidal.
Do you have a problem with that?
Why did you run off?
- Why am I being detained? - You're not being detained, sir.
So why do you have my ID card?
Evening.
Marina?
[SIGHS]
Thanks for everything. Sorry you had to go through this.
I'm Gabe.
Hello, Gabo.
How are you?
- Hello. - Hello.
- How are you? - Hello.
Gabriel Onetto, brother of the deceased.
Is something wrong?
No, everything is fine.
He brought him and left in a hurry, but we needed to speak to him.
You can speak to me.
I'm his family. I'll take care of this.
You must understand that the young lady was with my brother when he died...
...so it's a sensitive situation.
Thank you.
Your telephone number, please.
Uh, nine...
...814...
...95...
...75.
[WHIRRING AND BEEPING]
WOMAN: Marina! We need you here!
I'm coming!
[CHATTERING]
MARINA: Everything all right? - Yes, thank you.
- Excuse me, could I have some water? - Yes.
You didn't want to come, and I was calling you for the night shift.
Damn.
I couldn't check my phone, Alessandra. The celebration was intense.
But you came. I appreciate that.
- Do you need anything? - No. Everything's fine.
- You sure? - Yes, I'm sure.
Always so mysterious.
It's been ringing for a while.
Thanks.
[PHONE BUZZING]
I'll be right back.
[MARINA & WOMAN SPEAK IN ENGLISH]
Um... This is Sonia.
The wife» I mean...
Ex-wife of Orlando.
I know. How are you, ma'am?
First of all, there's no need to be so formal.
I talked to Gabo. He said you're living in Orlando's apartment. Is that right?
Yes, it's true.
Well, I need his car.
Of course.
- Mmm. You could've left it with Gabo. - He didn't want it.
Ma'am-- I mean, Sonia. Tell me when you need it and I'll drop it off.
Let's see... tomorrow. Could you drop it off at my office?
I will text you the address. Uh...
Leave it in the parking lot. Just ask, and they'll tell you where.
[SPEAKS IN ENGLISH]
At 10:30? Is that okay?
I'll make it work.
Anything else of his that you have?
No.
Just personal things.
[SONIA SIGHS ON PHONE]
We'll have to work out what to do with the apartment too.
Of course.
I want you to handle all practical affairs with me. Mm?
[SPEAKS IN ENGLISH]
Can we talk about that when we meet? I'm at work right now.
[PEOPLE CHATTERING AND JAZZ MUSIC PLAYING]
[SPEAKING IN ENGLISH]
- Can you bring the check? - Right away.
I'll be right back.
Marina, someone's here for you.
- Who? - I don't know.
- Where? - At the entrance.
Good afternoon, Marina.
Thanks for coming out. It'll just be two minutes.
- Hello. - Hello.
I'm Detective Adriana Cortés...
...from the Investigative Police's Sexual Offenses Unit.
Good afternoon.
First, I want to offer my condolences.
They told me what happened. I'm really sorry.
The fact that you ran away from the hospital...
...really concerned me.
Could we talk there?
- Of course. - Please.
I didn't run away.
Oh.
There must be some mistake, then.
Could I see your ID, please?
One question:
Mr. Orlando...
- Onetto. - Yes.
Was he paying you?
We were a couple.
So you cared for each other. It wasn't just sexual.
It was a healthy, consensual relationship between two adults.
Why do you ask?
He was old enough to be your father.
Did you consume drugs before his seizure?
- No. - Alcohol?
Yes.
Did you have sex?
I don't remember.
I need to know if he suffered any physical stress.
Nothing unusual.
The thing is, Mr. Onetto's body...
...arrived with injuries, bruises.
He suffered blows to his arms, sides and neck.
And had a contusion on his head.
The injuries were fresh.
I talked to the doctor about all of this.
Did you talk to his family?
[ALESSANDRA SPEAKS IN SPANISH]
Excuse me. It's about the check for Table 15.
- I'll be right there. - Five minutes, please.
- Can't they cover for you? - No.
I need to get back, or they'll fire me.
Look, I've been working on the streets for 23 years.
Fourteen years in Sexual Offenses, and I have a master's degree in it.
I know very well what happens to people-- Sorry, women like you.
I've seen everything.
Everything.
I want you to know I understand and support you.
Mm-hm?
Did you have to defend yourself from him?
- Am I being arrested? - No.
- Then I'm going because-- - Wait, let's do this.
Call me when you're done, so we can talk properly...
...and I can sleep well, all right?
Talk about what?
CORTES: I'll be waiting for you.
It'll be best if you don't leave Santiago.
Okay, bye.
CORTES: Bye, Marina. Thanks, nice place!
Thanks.
- Everything okay? - Yeah.
- Did you notice I tried to save you? - Yes, I did. Thanks.
Will you tell me what the fuck's going on?
Some other time? I've had a terrible day.
Sure.
[GATE OPENING]
[MARINA BREATHING HEAVILY]
[SINGING IN SPANISH]
Diabla.
[WHINES]
Hey, you.
[SIGHING]
CORTES [ON RECORDING]: Marina, this is Detective Cortés.
You must have a good reason to stand up an investigating officer.
Now, I won't ask.
Instead, I demand that you come in and talk to me tomorrow.
I'll be at Forensic Medical Services. Look for me when you get there.
See you at 12:30.
Don't call me. No excuses.
Fm not interested.
Please don't make me send someone to pick you up.
[PHONE BEEPING]
[PANTING AND EXHALING SHARPLY]
[MOANS]
[DOOR OPENS THEN CLOSES]
[DIABLA BARKING]
MAN: Diabla.
Up, up!
[SPEAKS IN ENGLISH]
Are you Marisa?
Marina.
I'm Bruno.
Sorry...
...I thought no one was here.
[DIABLA WHINES THEN BARKING]
What happened, Marisa?
Your dad suddenly felt sick.
It all happened so fast.
What were you doing?
Sleeping.
That's all?
You were with him and he died? Just like that?
Puff?
We rushed to the hospital.
His body was bruised.
Why the fuck was his body bruised?
And his head injured.
He fell down the stairs as we were going down.
That's why.
And those suitcases?
I was moving in.
Oh.
Fuck.
[DIABLA WHINING]
What will we do with you, Diabla?
Um...
Orlando gave her to me.
- I'm sorry. - He gave you Diabla?
[DIABLA WHIMPERS]
Fucking hell.
Look...
...I slept next to Diabla...
...for years.
But I had to stop.
I didn't like the smell.
Did you know there are two kinds of pet owners?
Those who have mammals and those who prefer birds or reptiles.
We mammals have a neocortex...
...the most developed layer of neural tissue...
...where emotions are generated.
That's where empathy...
...tenderness...
...and love are generated.
I don't see anyone with a lizard. I don't get your analysis.
- What are you saying? - I'm not saying anything.
Ah.
Did you get the operation?
You don't ask that.
Why not?
I don't know what you are.
I'm the same as you.
Ha, ha. Yeah, sure.
[SCOFFS]
[SIGHS]
Can we talk another time?
Wait, wait, wait.
I just need to know when you're leaving this apartment.
When I find something, I'll let you all know.
- How much time are we talking? - A few weeks.
No, not a few weeks.
Tell me a date, or I'll kick you out.
Know what? Get out of my house.
This isn't your house.
[MARINA THUDS THEN PANTING]
Incredible.
My dad was crazy.
If you steal anything, I'll know.
MARINA: Hey, Bruno!
My name is Marina.
Bye.
[OBJECTS CLATTERING]
[VOCALIZING]
[SIGHS]
WOMAN: Miss?
Hey, miss!
I'll pay for the wash.
You need a coffee.
Give me an espresso.
How would you like it?
Double.
[OVER SPEAKERS IN ENGLISH] ♪ Lord, it made me feel so tired ♪
♪ Before the day' ♪
[HORN HONKING]
Idiot.
♪ You're the key to my peace of mind
♪ 'Cause you make me fee! ♪
[RAISES VOLUME]
♪ You make me feel
Like a natural woman
♪ Woman
♪ When my soul Was in the lost and found
♪ You came along to claim it '
- Hi, good morning. - Good morning.
I'm bringing this car to Sonia... I don't know her last name.
Sonia Bunster.
She said to tell her when you arrived.
Please park on Level 4, Parking Space 5.
She'll come and pick up the car.
- She wants me to wait down there? - Yes, she said so.
- Thanks. - You're welcome, go ahead.
♪ 'Cause you make me fee!' ♪
♪ You make me feel
Like a natural woman
♪ Woman
[SIGHS]
Hello.
Hello, Sonia.
Oh, I'm sorry.
- Hello. - How are you?
I've been wondering how you look for about a year.
It's different face-to-face.
Of course.
As you can see, ma'am:
Flesh and bones.
Yes, it's just that...
...I can't imagine Orlando being with you. That's all.
Ah.
[MARINA SPEAKS IN ENGLISH]
And don't call me "ma'am."
- Uh, here are the car keys. - Ah. Thanks.
The documents are in the glove compartment.
- Okay. Excuse me. - Yes.
Complicated.
[CAR DOOR OPENS]
[MUMBLES]
Really complicated.
Total quantum physics.
[SONIA SIGHS]
[SIGHS]
[COUGHS]
I won't talk about the apartment now, but...
[SONIA COUGHS]
Try to hand it over as soon as you can, okay? Hand it over.
- That's it. - Thanks.
[SIGHS]
Sonia, I'm really sorry about all of this.
What are you sorry about?
The entire soap opera, or this episode in particular?
No, about how things turned out.
Yeah.
You know, when I married Orlando...
...I was 38.
And we were really normal. We were--
We had a normal life.
Ahem. So when he...
...came and explained to me...
...l...
I thought...
Sorry if it's crude and blunt of me to say this...
...but I really think that this is just perversion.
Sorry, but...
When I look at you, I don't know what I'm seeing.
A chimera, that's what I see.
A chimera.
[SPEAKS IN ENGLISH]
Sorry.
There's no need to be sorry.
You're normal, ma'am.
MARINA: Hmm?
You're fine, ma'am.
- Hello. - Hello.
- Hello, Sonia. - Hello, Pablo.
- How are you? - Me, I'm fine. And you?
Fine, thanks.
Great.
[ELEVATOR BELL DINGS]
Thanks.
[AUTOMATED VOICE SPEAKS IN SPANISH]
[AUTOMATED VOICE SPEAKS IN ENGLISH]
[PABLO CLEARS THROAT]
SONIA: Bye. PABLO: Bye.
You know my 7-year-old daughter will be at the wake this afternoon?
Yes.
And I'd love to know where it'll be.
I know how to be discreet.
Don't even think about going.
I have the right to say goodbye to him too.
Look, it's my problem now.
You already had a hard time. Now the formalities are my part.
And I want to compensate you for everything you've done.
Really, so you can relax.
You don't need to go anywhere or do anything.
And we'll handle this in a civilized way, so we're both satisfied.
I don't need your money, ma'am.
Did you call the police?
No.
Well, in any case, I apologize.
I'm just looking out for my loved ones, that's all.
Orlando was a loved one to me.
Yes, but you won't go to the funeral or wake.
Understood?
I don't know how to explain it. What can I say?
Daniel, you are not going to the funeral or anywhere else.
Please!
Let us mourn as a family, like it's meant to be. Don't show up.
I'm asking you as a mother.
Remember, there's an entire family devastated, in shock.
I'd give my life for my daughter, if I had to.
MARINA: Adriana, I want to apologize for not calling--
CORTES: Detective Cortés. - Detective.
I want to apologize for not calling last night, but I was overwhelmed.
- I took sleeping pills. - Don't worry about it.
Let's go.
This way, please.
[SPEAKS IN SPANISH]
- Will we see Orlando's body? - No.
I booked a room. If I'm late, I'll be in trouble.
What do you need?
Well, because you didn't call me...
...I went over our conversation yesterday.
The toxicology test came back positive for alcohol.
And marijuana.
Where are we going?
We're giving you a physical examination.
No. No way.
It'll take five minutes. It'll be superficial. Let's go, please.
- But you didn't tell me. - Marina, I went to see you yesterday.
I was very concerned.
And you said you'd call me after work, you promised.
And you stood me up, like I was crazy.
I'm sorry, it's just...
I took some pills and fell asleep. And the marijuana--
I need to confirm that you don't have any injuries.
- But I don't have any injuries. - So there's no problem.
What?
Why are you doing this to me?
It's what's done.
It's called a “possible injury evaluation."
Well, I refuse.
Fine.
Then I'll ask the district attorney to open a case...
...on the death of Mr. Onetto.
Look, if we find nothing, this ends here.
You go on with your life.
You decide.
DOCTOR: I'll close this so you're comfortable.
[VVHISPERING] Thanks for your help. You saved me.
[WHISPERING] We're even now, then.
You said his name is Daniel. How should I treat him?
Don't call her Daniel. Treat her like a woman.
Ask her what her name is. But use her female name.
DOCTOR: What did she do?
CORTES: I don't know. That's why we're here.
DOCTOR: Was it something complicated?
[IN NORMAL VOICE] Right. This way, please.
- What's your name? - Marina.
Pretty name, Marina.
Stand there, please.
Thank you.
Here we are.
Marina, right? Marina. Uh...
Please, could you...
...uncover your upper body?
[DOCTOR SPEAKS IN ENGLISH]
This'll be really quick, okay? Here I go.
That's it.
Now, please raise your right arm.
A bit higher.
[DOCTOR SPEAKS IN SPANISH]
There.
The same with the other arm.
Very good, Marina.
Um... Were you attacked in any way? Did you fall or anything like that?
No.
Are you sure?
Yes.
[SPEAKS IN ENGLISH]
Well, now I'll ask you to uncover your lower half.
- Could you leave us so that...? - No.
Sorry.
Could you uncover your lower half? Almost done, Marina.
Could you please raise your right leg, Marina?
To the side? There.
GABO: Hello, Marina.
This is Gabo.
Sorry to bother you. Look...
We're going to cremate Orlando. It's what he wanted.
To be clear, this is my own idea. Sonia doesn't know yet.
I wanted to offer you...
...a bit of his ashes.
Uh, thank you, but no.
I just fee! you should have them. Really.
In exchange for not showing up?
I'd love for you to come.
But... I'm eating right now.
Sorry, I didn't want to interrupt you.
Gabo, I'm hanging up.
Wait a second, we haven't agreed on--
[SIGHS]
- Thanks for seeing me. MAN: Come in.
Fucking gout.
I can't believe even your illnesses are corny.
You look awful.
Without glasses, you can't even see me.
You look...
...awful.
Have you come to hone your technique, or hide from the world?
Uh...
Both?
And vice versa?
Look, I don't mind you coming too little and too late...
...or when you need a little moral support.
But I'm your teacher. For singing.
Lyrics.
Not salsa, or merengue...
...but lyrics.
And you're not my psychologist.
And you're not my father.
No.
What did I come for, then?
To sing, I hope.
To look for some love, maybe?
You can't look for love.
No. Not Saint Francis again, please.
Saint Francis doesn't say:
"Give me love, give me peace...
...give me light, give me this, give me that."
Saint Francis says:
"Make me an instrument of your love.
Make me a channel of your peace."
Why don't you sing for me instead?
[PLAYING]
[SINGING OPERA IN ITALIAN]
Diabla?
[ZIPPER ZIPS]
WOMAN: Onetto Textiles, good afternoon.
MARINA: I have a wreath for Mr. Orlando Onetto.
Could you tell me where his wake is being held?
Take it easy, beautiful. Hm?
Okay.
- Is this all you're stealing? - If you had a bigger car, I'd steal more.
What? You two sisters are starting already?
[SCOFFS]
You'll scare me to death.
No.
I'll survive.
I think we should call the police.
- What for? GASTON: It's a crime. Trespassing.
No, I don't want any more police, doctors, hospital gowns, uniforms.
I don't want anything.
Orlando's son just wants me out of there fast.
GASTON: That's not the point.
- It's no way to communicate. - Oh, please, Mr. Contradictions.
"That's not the point"? Butt out.
Butt out? I've heard these stories for nine years.
I'll leave your house as soon as I can, okay?
No, it's not that.
Our house is your house, always.
Always, right?
Yes, always, obviously.
MARINA: Can I have one last favor? - Another one?
- Cut it out. GASTON: What?
Cut it out.
- Could you drop me off here? WANDA: Why?
- I want my dog. WANDA: What for?
It's a bad idea for you to do anything alone.
No. Wait until we get home. There, we can smoke something.
We can relax, and you can make a more considered decision, okay?
Fine.
[WANDA & GASTON SHOUTING IN SPANISH]
GASTON: Get out!
WANDA: You get out! GASTON: Fuck, I'm driving.
WANDA: Right...
[ORGAN PLAYING AND WOMAN SINGING HYMN]
No one says a word!
[MUSIC AND SINGING STOP]
Leave, please.
MOM.!
[SIGHS]
Get out, they said. Have you no respect for people's pain?
Get out!
Marina!
[GABO SHOUTING IN SPANISH]
I'm sorry!
I'm very sorry.
Everyone is upset. It's not about you. I'm sorry.
[GROANS]
Saying goodbye to a loved one when he dies is a basic human right, isn't it?
Yes.
[SPEAKS IN SPANISH]
You're absolutely right.
It's done, Gabo.
Go back. Careful not to fall.
[SPEAKS IN ENGLISH]
Why did you come to mess with the family?
Everyone told you to leave us alone.
What do you want?
For you to get out of here, fucking faggot. Got it?
MAN 1: What are you looking at? - You're looking at me.
MAN 1: You threatening me, fudge packer? - No.
Go destroy someone else's family, you fucking monster!
Hey! You fucking faggot.
Stop the car!
Stop!
- Motherfucker! - Let go, coward!
- Let go! What do you want? - You drive.
Fucking cowards!
[SPEAKING IN SPANISH]
What do you want?
[MAN 1 & MARINA SPEAKING IN SPANISH]
MAN 2: Go, go!
MARINA: Where's my dog? MAN 1: Shut up.
What did you do to my dog, coward?
That's not your house.
If you liked my dress, you could've taken it, asshole.
This motherfucker wears dresses!
- Let go! - Did you cut your dick off?
Shut your mouth, it smells like shit!
Think you're Julia Roberts, piece of shit?
You wear a dress with football-player legs?
MARINA: You have no right to touch me!
Think your dad would be proud of you?
He would slap you if he saw!
You shouldn't have sent the police!
- What police? - Let go of me!
Let go of me!
I can't hear you!
- Now, talk, motherfucker! - Son of a bitch!
Talk, you piece of shit!
[PANTING]
I hope it's clear now.
Let's go.
[BREATHING HEAVILY]
[PANTING]
[PEOPLE CHATTERING]
[SIREN WAILING AND DOG BARKING]
[MAN SHOUTING INDISTINCTLY]
[DANCE MUSIC PLAYING INSIDE]
[DANCE MUSIC PLAYING OVER SPEAKERS]
[PEOPLE WHOOPING]
[WOMAN VOCALIZING]
[DOORBELL BUZZES]
[SIGHS]
Hello, Marina.
Hello, Gaston.
[BELL TOLLING IN DISTANCE]
[BREATHING DEEPLY]
WANDA: Here it is.
"Orlando Onetto Pertier."
What does it say?
"We announce the painful passing of our husband...
...brother, father, partner, and friend...
...Orlando Onetto Pertier.
A funeral service will be held today at 4:30 P.M. at Parque de la Paz Cemetery.
315 Ejército Avenue, Santiago.
His wife, brother and children..."
- Could you pass the avocado? - Wait, listen.
"It is with great sorrow that we announce the painful passing...
...of Orlando Onetto Pertier."
Ba-Ba-Ba-Ba-Ba-Ba.
"Onetto Textiles employees."
GASTON: What's the point? I don't get it.
I'm reading.
What for?
Don't go. Hmm?
It would be masochism.
Define "masochism" for me.
Really.
People who like to suffer. Do you?
- What's that got to do with it? - I don't like to suffer.
I'm reading to my sister--
Listen, cut it out. Really.
Stop.
I'm going nowhere.
[SPEAKS IN ENGLISH]
I've turned the page.
[SPEAKS IN ENGLISH]
Life goes on.
- Why tell me what to do? - No...
[WANDA & GASTON SPEAKING INDISTINCTLY]
MARINA: What doesn't kill you makes you stronger.
Stronger.
I have orangutan hands.
Nonsense.
[MAN SPEAKING IN SPANISH]
MAN: Just a sec.
I have to adjust it.
[MEN SPEAKING IN SPANISH]
[swam BUZZING]
[CHATTERING]
Here you go, sir.
MAN: Just a minute.
I lose everything.
Maybe it's the old age.
Here. Keep the change.
What's wrong?
Sorry, where is that key from, the one with the number?
From my sauna.
- Your sauna? - Yes, my locker at a nearby sauna:
Finlandia.
Why?
It just caught my eye, sorry.
- Hello. - Hello.
Is it mixed?
But the areas are separate?
Of course.
[LATIN BALLAD PLAYING OVER SPEAKERS]
How much is it?
Here.
Thanks.
[WOMAN SPEAKS INDISTINCTLY]
[WATER PATTERING]
- Where are the lockers? - That way.
[MARINA WHISTLES]
[MAN SPEAKING IN SPANISH]
Get out, sir, I have an emergency.
I have an emergency too.
Get out!
Take Alameda Street, please, sir.
[CAR HORN HONKING]
BRUNO: Marina!
- What the fuck are you doing here? SONIA: The ceremony is over, go home!
BRUNO: Could you leave us in peace?
Move, move! Crazy man! Get lost!
GABO: Sonia, she's a woman. - She's not a woman.
Move!
Move it, made-up faggot! Move it, piece of shit!
You motherfucker.
SONIA: Crazy woman! GABO: Marina, don't do that!
MARINA: I want!
My!
- Aah. MARINA: Dog!
[BRUNO, SONIA & GABO YELL]
[SONIA GASPS]
Orlando's keys.
All right?
SONIA: Let's go, Bruno. BRUNO: Relax.
GABO: Go!
Excuse me, ma'am.
Was Orlando Onetto's funeral held here?
WOMAN: I don't know. I just clean here.
Might you know where he is?
No idea, ma'am.
[MARINA BREATHING SHAKILY]
[DOOR RATTLING]
[DOOR BUZZES]
Come in.
Thank you.
[FIRE ROARING]
[PANTING]
[BARKS AND WHINES]
[SPEAKS IN ENGLISH]
Bye, Diabla.
[CHATTERING]
[EXHALES SLOWLY]
[SPEAKS IN ENGLISH]
[SINGING OPERA IN ITALIAN]
[IN ENGLISH] ♪ Time ♪
♪ Flowing like a river ♪
♪ Time ♪
♪ Beckoning me ♪
♪ Who knows when we ♪ ♪ Shall meet again ♪
♪ If ever ♪
♪ But time ♪
♪ Keeps flowing like a river ♪
♪ To the sea ♪
♪ Goodbye, my love ♪
♪ Maybe for forever ♪
♪ Goodbye, my love ♪
♪ The tide waits for me ♪
♪ Who knows when we ♪ ♪ shall meet again ♪
♪ If ever ♪
♪ But time ♪
♪ Keeps flowing like a river ♪
♪ On and on ♪
♪ To the sea ♪
♪ Till it's gone forever ♪
♪ Gone forever ♪
♪ Gone forevermore ♪
♪ Goodbye, my friend ♪
♪ Maybe for forever ♪
♪ Goodbye, my friend ♪
♪ Who knows when we shall meet ♪
♪ The stars wait for me ♪
♪ Who knows where we shall meet again ♪
♪ If ever ♪
♪ But time ♪
♪ Keeps flowing like a river ♪
♪ > On and on ♪
♪ To the sea ♪
♪ Till it's gone forever ♪
♪ Gone forever ♪
♪ Gone forevermore ♪
♪ Forevermore ♪
A FANTASTIC WOMAN
Translated by: Matthew Way