(train chugging)
(slow music)
- [Woman Voiceover] I was glad to be heading home.
I always felt better when I was there.
Finn had even agreed to get out of the city for a while.
I told him it would be good for his painting.
Francesca, she'd been ready to join
before I'd even asked her.
I wish I could say the same for Theo.
He took a little more convincing.
Ah, I'd missed us all being together.
For a while we could live in our make-believe world,
like when we were kids.
I could already smell the salt hanging in the air.
It was familiar and conjured up memories, memories of home.
I didn't want anything to change.
Perhaps I hope spending time here together
would hold us closer so that we never came unraveled.
- It's a bit early to be flying a kite, isn't it?
- [Woman In Coat] Not really.
- Do you need help fixing it?
- I'm fine, thanks.
- Okay.
- I can't get it to fly.
It's a shame I only made one green kite.
- You make your own kites then?
- Yes.
- That's cool.
- I have quite a few.
Different colors for different days.
I try to fly a different kite each morning.
- Always this early?
- What did you say your name was?
- I didn't.
- I'm Harriet.
- I'm India.
- India, what a colorful name.
What's that?
- Oh, it's pictures and a letter I found.
Mum's been keeping it.
- [Harriet] Is this your family?
- Yeah.
The letter is from my grandmother to her friends,
an invitation to a masquerade ball.
- What an eccentric bunch.
- Well, they're artists.
It's to be expected.
- Is it?
- They're aware of things people don't even know are there.
- You're an artist then?
- Yeah.
- You should try and channel them, your relatives.
You should dress up like them.
- (laughs) Okay.
- It would be a nice homage to them.
Well, I'll be going.
See you tomorrow.
- Tomorrow?
I look forward to getting to know you.
- No one ever really knows anyone, India.
(upbeat piano music)
♪ La-la-la la-la ♪
♪ La-la-la la ♪
♪ La-la-la la-la ♪
♪ La-la-la la ♪
♪ La-la-la la-la ♪
♪ La-la-la la ♪
♪ La-la-la la-la ♪
♪ La-la-la ♪
(slow music)
- [India Voiceover] When I looked into the broken mirror
I saw my true reflection.
(camera clicking)
(mid-tempo music)
- Too tight?
- No, it's okay.
Fran, that dress is beautiful.
I can't believe you made it.
- I'm just glad you like it.
You okay?
- Yeah, I'm fine.
Just tired.
- You sure you're all right?
You seem a little bit dreamy.
- Just didn't get much sleep.
- Oh, you just need Finny to give you a little massage.
That's all.
There you go.
You look gorgeous.
- Okay, let go of this for a little sec.
Close your eyes.
- What?
- Close your eyes.
- Oh.
- [Theo] You like them?
- Yes. - Good.
- [India] You actually listen to me.
- [Theo] Mm-hm.
(upbeat swing music)
(slow music)
- [India Voiceover] Everything was perfect.
Except for the pain.
It made me feel alone, even though
I could feel his warmth against my skin.
This pain was invisible.
But being invisible didn't make it less real.
Slowly rocking forwards and backwards.
I felt like a shadow of myself.
- Let's have a masquerade party, just like the invitation.
We'll invite everyone we know.
- That is a really good idea.
Fran, you could display your costumes if you want.
And Finn, this is your opportunity
to have your first exhibition.
And India, if you want you could show your photos.
- And what are you going to do, Theodore, just get drunk?
- Ah, someone has to sample the punch.
- You can woo all the old ladies.
(Francesca giggling)
(mid-tempo music)
- [India Voiceover] We had played
amongst these mangroves since we were kids.
Each turn and bend along the way had a memory, a story.
Yet now I found myself wondering, did the others
feel as connected to me as I did to them?
Harriet's words played over in my head.
What did she mean, nobody ever really knows anyone?
- Fine.
I just think people have things that they're hiding.
- Yeah, but you have to try.
Otherwise you'll end up alone and have absolutely nothing.
- And sometimes people have nothing.
The way I see it is you come into this world alone
and that's exactly how you leave it.
- No, that's not right.
I think you come into this world
to make connections with people.
You know that picture I showed you
of my grandmother and her friends?
We're going to dress up like them.
- We?
- My friends at Ambrosia.
(slow music)
Fran is a sewer.
She's incredible.
Finn paints.
And my brother thinks he's some kind of thespian.
- And you immortalize people in your photographs.
- So you brought another kite today.
What's this one symbolize?
- Today is remembrance.
- [India] For what?
- Things we shouldn't have forgotten.
- (giggles) Hi.
- I was getting worried about you.
- I went for a walk.
- Well thanks for telling me.
- Sorry, you were sleeping.
I didn't want to wake you.
What's this then?
- I don't know.
I haven't quite decided yet.
- Do you know what you're going to paint before you start
or does it just happen?
- What?
- Like the colors and everything, do you see them
on the blank canvas or does it just happen?
- Well, I see the colors.
I mean, I always see the colors.
I just don't know where I'm gonna put 'em.
- Would you ever paint people?
- No, they don't interest me.
- And what does this mean to you?
- Look, it doesn't have to mean anything.
- When I take a photograph I don't take it of just anything.
I wait.
- For what?
- For that moment when you realize you've stopped watching,
and you see the picture in the lens
and you feel that tiny flicker of emotion,
and then it just falls away.
Would you ever paint me?
- I don't know.
- You don't want to.
- No, it not that.
- Too ugly. - No.
Look, I do abstract, okay?
I don't do portraits.
- I could be abstract.
- You often are.
Look, I don't how I would capture you
and recreate everything that you are with oil.
- You don't have to capture everything about me.
You're the painter.
You choose what to show and what to hide.
- That simple, eh?
- I'm not that complex.
- Look, I know you.
- I'm going to get come chai.
- What are you reading?
- I am reading a very interesting play by Jonson
called Every Man in His Humor.
Very good.
- Yeah, yeah, I think I've read that one.
- I'm up to scene six.
- Oh, okay. - Mm-hm.
- Yeah.
- What's your favorite part?
- Um, um, probably towards the end.
It's really inspiring.
Yeah, it's nice.
- Yeah?
Which scene?
- Um, scene 10, yeah.
- Of act one or act two?
- Act one, yeah.
I don't think you've got there yet.
You'll really like it.
- Um, act one only goes up to scene six.
- Oh, must be a different play then.
I mean, they're all the same.
- Hm.
(upbeat music)
(slow music)
- [India Voiceover] I loved Mum's box of photographs.
Familiar faces, smiles and laughs that I could almost hear
lifting off the worn paper.
My grandma on adventures with her friends.
Mum smiling and laughing.
And Dad holding me.
Picnics, parties, dress ups with pipes and hats.
Theo, he would never stay still.
He used to say he was chasing the fairies
that were flying around us.
I told him fairies weren't real.
Night kept me company.
It asked no questions, expected no answers.
If only I could share this with someone.
I spent my dreams awake.
Pain has a memory, and I can't forget it.
- [Theo] India, can you get me some tea?
With some sugar and with some milk,
and a biscuit if you want to be really,
really nice to your brother.
(slow dramatic music)
(muffled voices)
(slow dramatic music) (muffled voices)
- [Woman] You may experience symptoms of depression,
sleeplessness, anxiety, lack of concentration,
irritability, anxiety, lack of concentration.
- [Man] India.
- [Woman] Do you understand?
(dramatic music)
(slow music with female vocalization)
- [India Voiceover] I kept thinking of Harriet.
It was strange how we kept meeting at dawn.
In a way I kind of liked it.
Perhaps it was because I wasn't alone.
I tried to imagine her family.
Her mother, she must be beautiful.
Dark flowing hair and a gentle smile.
Perhaps they live in an old weatherboard near the river
with oriental herbs and spices wrapped in twine
hanging in their kitchen.
I was anxious to meet them.
Maybe they'd like me because I reminded them of Harriet.
We were similar in some ways.
But there was still so much about her I didn't know.
Where did she go when she wasn't at the beach?
I wonder why she was down there.
She was probably thinking the same about me.
- We're in Italy.
- We're in Russia.
It's a Russian sky today.
So gray. - A Russian sky.
We are connected in a way I suppose.
All roads lead to El Dorado.
- (laughs) What are you on?
- [Finn] Well, all rivers flow to the sea.
We all swim in the same water. (mumbles)
- [India] I'm getting out.
- [Finn] How you going?
- I haven't seen you here before.
- [Finn] I'm just here for a few weeks.
- Staying up on the headland?
- [Finn] Yeah.
- Was that your girlfriend?
- [Finn] Yeah.
- She's pretty.
Does she always walk off on you like that?
- She's just cold.
From around here then?
- Why, do you want to come visit me?
- [Finn] (laughs) See ya.
- See you.
(slow music)
- [Francesca] Do you think Theo
will move to London for his acting?
- I always thought he would be a poet.
- (laughs) But everything he does
it's like he's on stage, so dramatic.
- [India] (laughs) Yeah.
Remember those sonnets he used to write us?
- I still have most of them.
- Really?
They were beautifully written.
- [Francesca] And his handwriting was impeccable.
I'd miss him.
- I know.
He'd miss you too.
I feel like everything's going to change.
We're all here together.
But when we leave here we'll all go our separate ways.
- I don't want anything to change.
- Neither do I.
I'm bound to you, and Finn, and Theo.
I don't want to lose you.
- [Francesca] And why would you?
We've been together for everything.
We always will be.
- Girls.
(girls laughing)
(mid-tempo music with female vocalization)
(laughing)
(car horn honking)
(muffled voices)
- [Man] Depression, sleeplessness.
- [Woman] Anxiety, lack of concentration.
- [Girl] Mummy, Mummy, I'm scared.
(sobbing)
(laughing)
(upbeat dance music)
(laughing)
- [Francesca] Careful, careful.
- [Theo] Just walk.
- [Francesca] Oh, it's okay, it's okay.
One, two, hello.
- [Finn] Oh.
- Get up, get up.
Go into the bathroom.
(Francesca laughing)
- What's up with Finn?
- (retching) In the bathroom.
(slow music)
- [India] Hey.
- Hello.
I hoped you'd come today.
- [India] Really?
- Yes.
- Black, how ominous.
- Black's heaven's color.
- [India] What's white?
- Death and a sign of mourning.
In Shanghai they told us kites
were first flown during the Qingming Festival.
It's when hell opens its gates.
It's a chance for us to say our hellos
to those who have passed.
- I think the people we love never really leave us.
When they die they become the energy we carry.
- So you know a lot about that then?
That's pretty, the key.
(jazz music)
- I am a man.
- I don't believe you.
(laughing)
- [Theo] Well, I am a woman.
- I believe you.
- Did they tell you about my fiance?
- [India] No.
- The way he touched me the first night we met.
I was like a virgin, a virgin
touched for the very first time.
I feel a song coming on.
(door knocking)
- [Finn] Hi.
- Hi.
I'm Harriet.
I just came to drop this by for India.
- Oh right.
Um, you're the girl from the beach, aren't you?
Do you want to come in?
We've just started dinner.
(jazz music)
India.
Look who's here.
- Harriet, what are, what are you doing here?
- [Harriet] Sorry, I just...
- You really look nice.
- [Harriet] Oh thanks.
Um, I just came to return your key.
- Oh.
Thank you.
- So this is one of your dress up nights then?
- Yeah. (laughs)
I have a photo, look.
We're dressed up like these girls.
- I see.
- [India] Well you sparked the idea, didn't you?
- Really? - Wow.
- [Finn] Ah well, take a seat, Harriet.
- Sorry, oh, introductions.
Everyone, this is Harry.
Harry, this is Fran, Finn, and Theodore.
- Nice to meet you.
- [India] Anyone want some wine?
- I'll have a glass.
- [India] Yeah.
- Oh, you can have this one.
- [Finn] This all right?
- [India] Mm-hm, mm-hm, fine.
(slow music)
- So Harriet, where are you from?
- I recently moved from Shanghai.
- [Francesca] Shanghai?
I import the best silk from there.
- So, why'd you come back?
- I remember as a child looking out
from a headland near here across the water.
The vastness of the sea and land was mesmerizing.
I love Shanghai, but here you can
be alone in the space around you.
♪ Let me be your fire ♪
- Harriet's always um, at the beach.
- [Francesca] Every morning like you are?
- Sometimes.
- [Harriet] I'm really not that good a company.
- You shouldn't say that.
♪ Burning ever brightly ♪
- To be or not to be, that is the question.
(slow music)
Whether 'tis nobler in the mind to suffer
the slings and arrows of outrageous fortune,
or to take arms against a sea of troubles,
and by opposing end them?
To die, to sleep. - To die, to sleep.
No more.
And by a sleep to say we end.
[Harriet And Theo] The heart-ache
and the thousand natural shocks that flesh is heir to.
'Tis a consummation devoutly to be wished.
To die, to sleep.
- You can romanticize about death all you like.
It's life we desperately cling to in the end.
- As the waves make toward the pebbled shore
so do our minutes hasten to their end.
So, I was thinking.
Guys, I was thinking the other day,
and I want to tell you about my theory, I have a theory.
- I love these. - Oh God.
- And it is to do with trees.
Okay, think about it.
So when you're a tree you're alive.
- Roots, roots.
- No, you're alive and you're there.
And you can be killed and you can be harmed.
And you're in a place, and in a dimension and a physicality.
But if you're a tree you don't even know that you're there.
But trees, they don't have a brain
and they don't have a soul.
- We know that. - That's an assumption.
It's invalid.
- They might have feelings,
you don't know you're not a tree really.
- I resent that.
I was once a tree.
- So many people are dog people.
Why wouldn't you be a cat person as well?
(Harriet laughing)
- What?
- Have you had any alcohol tonight?
- Yeah, I had like... - One sip.
- Yeah, that's alcohol.
And I've breathed in a lot as well.
- You've? (laughs)
(laughing)
What do you do?
- I make kites, I told you.
- That's what you do?
- I make kites.
- But what, how do you make money?
Do you live with your parents?
- I rely on the kindness of the world.
- That's very Hare Krishna.
- Mm.
- I've very Hare Krishna.
- [Harriet] Are you a Hare Krishna?
- I'm, well not really.
But I don't eat meat.
(laughing)
Nice to meet you.
I can see into the future.
Oh God, I have a migraine and I will tell you why.
- Movie. - Film.
- Sleeping cat.
Sleeps in the house.
- Sleep.
- Dancing.
- I think I should just tell you.
- [All] No.
- Action.
- James Bond.
Oh, Die...
- Die Another Day? - Die Another Day.
- Over the Fence.
Sleeping the next...
- Tomorrow.
- Sleeping tomorrow. - Sleeping.
- Tomorrow When...
- Tomorrow Death. - Tomorrow Death.
- Not sleeping the next day 'cause I'm dead.
- Tomorrow I'll Be Dead.
- Tomorrow No One Dies.
- Tomorrow the War Ends.
- Tomorrow we won't. - No tomorrow?
- We won't say tomorrow. - Tomorrow Never Dies.
- Yeah.
- Yay.
- There's wasn't four words. - There was only two words.
- You said there was two words.
- Fourth word is.
- The Three Penny Opera.
- Whoa.
- Oh wow.
- Yes. (claps)
Well done.
- Ah, Brecht.
(India mumbling)
(Harriet laughing)
- [Theo] She's mysterious.
- [India] Theo, stay away from her.
- Why, do you think Frannie will get jealous?
- [India] Of course she would.
- [Theo] Mm.
You should find out more about her.
- Maybe you should.
Obviously infatuated by her.
Theodore, she was reciting the great classics with you.
It's all it takes for you to fall in love.
- She's nice.
You understand her, don't you?
- [India] Not at all.
- She's just like you.
- [India] What?
- Oh, you know, she's, she's not all there.
- [India] Please, go on.
- No, I mean in the sense that you're always distant
and Harriet has this weird withdrawnness.
It's not getting any better, is it?
- I don't know.
- You're always tired and you're always disconnected.
What's going on, hey?
Hey?
- Well after the accident it was
all scans, and tests, and doctors.
And when I was younger it was the fear of dying.
Now it's not the fear of death,
it's the fear of living with this.
It just makes me sad, 'cause it's perpetual, isn't it?
- Hm.
- Every morning I wake up and I know
that the pain running down my spine and the sick feeling
in my stomach will be there til I fall asleep.
That rarely happens.
- What does Finn say?
- Not much.
I try to talk to him about it
and I'm always conscious about it.
- Mm.
- But it's strange that someone I feel so strongly about
I often feel so separated from him.
It frightens me.
- What are you frightened of?
- That someday I'll drive him away.
Francesca too.
Sometimes I feel like it's not
even me they're spending time with.
It's this tired spent body and mind.
It makes me feel so sad.
I sound crazy.
Do you ever think about it?
- I don't really remember it, India.
- I was thinking about the girl in the other car.
The reality that she died and I didn't.
Her parents passed away and Mum was perfectly fine.
- I know it still haunts Mum.
- You put me at ease.
You're the only one that really understands.
- [Theo] You know it won't always be like that, India.
One day you will find people who understand where you're at.
- Like Fran.
- [Theo] I think Harriet gets you too.
(slow music)
- [India Voiceover] In a moment I was there again.
Light rushing past my window.
I watched and waited for what I knew was to come.
But I couldn't do anything.
So I just stared ahead at my own reflection.
- So where exactly did you meet her?
- I went for a walk on the beach.
- At 5 a.m. you went for a walk?
- She recites from Keats.
- Theo, you don't even know her.
- You can't have her to yourself.
- I don't want her for myself.
(slow piano music)
- [India Voiceover] I felt a wonderful lightness
when I was in his arms.
Being in his company was my distraction.
I longed for him to see all of me.
In the end I can't make him feel the way I do.
My pain is a shadow.
I can't touch it.
I can't even prove it's there.
But his love is real.
It was a cathartic love.
(slow music with female vocalization)
- Are they yours?
- I was just admiring some of your paintings.
They're extremely lifelike.
Are all your paintings of her?
- [Finn] I guess I just stick to painting beautiful things.
- That's sweet.
So you don't think Theo or Fran are pretty enough?
(laughing)
Would you ever paint me?
- Uh, I guess so.
- So, I'm pretty enough?
Your hands are so dirty.
You'll never get all this paint out.
- I'll manage.
(upbeat music)
- I like it.
- I thought you might.
- Mm.
Do you often take your friends here?
- [Harriet] Yeah.
- I thought I was special.
Do you live near here?
- Kind of.
- What's your place like?
- It has doors, it has windows.
- Does it?
Do you want to take me there?
- Why so many questions?
- Why so mysterious?
- I never lie to you, do I?
I never keep anything from you when you ask me.
You are much more of a mystery than I am, Theo.
- Is that right?
Where are your parents?
Do you have parents, or a sister?
Do you have a brother?
- They're dead.
- Where are you going?
- There's some beautiful flowers just up the maze.
Hawthorn hedge flowers.
(dramatic orchestra music)
Hi.
- I'm sorry.
I didn't mean to...
- Spy?
- What's wrong with you?
- So you are jealous?
- [Francesca] Yesterday I saw you touching Finn's hands.
- Cleaning them.
- [Francesca] Sure.
- What's the matter, Frannie baby?
Scared to lose India?
- I see what you're doing and I'm not
going to let that happen.
Have you even had a friend before?
- That's changing.
- Nobody wants you here.
- See you at home.
(piano music)
- I'm coming up, Harry, you better be ready.
So your kites are all different colors?
Can you tell me about that?
- Well, I guess the colors are everything, Theo.
Are you still filming?
- Not really.
I like you.
- Theo.
- [India Voiceover] My thoughts drifted to Harriet again.
Maybe I was wrong about her.
Maybe she was hiding something, like me.
- Stop lurking.
- [Francesca] India.
- Fran.
- How much do you know about Harriet?
- [India] What do you mean?
- I'm just worried about how much trust
you're putting into her.
- Maybe you misread her.
Maybe no one really knows anyone.
Sorry, I'm just tired.
(slow music)
♪ I watch the flame ♪
♪ Flicker and fade ♪
♪ Through the darkness ♪
♪ Of the night ♪
♪ And I think of you forever warm ♪
- So how was everyone's day?
- Swell.
I have a story if anyone wants to hear it.
- [India] I don't think anyone's really in the mood.
- So, it's one of my better creations,
inspired by true events.
I heard a lady whisper.
I heard her on the wind.
(dramatic orchestral music)
She echoed in the mind of all the hateful men.
Seeping over our lashes she guided us to sleep
while she savaged all the women
who had tried to turn her in.
She was a serpent lady, a wild-eyed girl
with witchcraft on her lips.
She spoiled every man in the land
who beckoned forth her kiss.
Salem hunter, go and find her.
Time at worse she had a judge.
She disturbs the air with steel splinters
and she calls it love.
Is love a tender thing?
It is too rough, too rude, too boisterous,
and it pricks like thorn.
- [India] Theo, I think that's enough.
- [Theo] That's fine.
I said what I wanted to say.
- Excuse me.
- [India] What are you doing?
- Just thinking about us.
- [India] And?
- I don't know.
- Finn, tell me.
- [Finn] I just feel like we've been here for too long.
- You wanted to come here.
We all wanted to come here.
- [Finn] I know, okay?
I just didn't want this.
- What?
- [Finn] The tension, okay?
I'm just over it.
- [India] I had the strangest dream last night.
- Look, I don't want to know, okay?
You always have such dark dreams.
I don't need to hear about them.
- I just tell you 'cause I thought you'd be interested.
You don't tell me anything.
- Well I don't dream.
- [India] You're supposed to be creative.
- You don't have to be heavy to be creative.
- [India] Heavy?
Am I that depressing to be around?
- What?
I didn't say that.
- [India] That's what you were implying.
- We usually have so much fun, okay?
This place is boring.
We should go back to the city.
- So now I'm boring too?
- You're not boring, but you're not well
and I can't help notice that.
I know you feel sick all the time, okay?
And I don't want you to worry about it.
I just, I hate seeing you so withdrawn, like Harriet.
- How can you say that?
I'm always doing things.
- Look, I know you're trying your best, okay?
And that's great.
I just, I don't.
Don't cry.
Please don't cry.
- I'm sorry.
- It's okay.
- It's not.
I'm sick with it.
- Turn over.
(slow music)
- Do you really think I'm like Harriet?
(gentle music)
- You're nothing like her, okay?
You're strong, and kind, and beautiful.
♪ Love ♪
♪ Please don't harbor me ♪
♪ So lay me down in your arms ♪
(music drowns out lyrics)
(slow music)
- [India Voiceover] We filled our time
with getting the house ready for our masquerade party.
Harriet had turned up with her kites
but she wouldn't stay to hang them.
I tried to tell her how beautiful they looked.
I asked her what the story was behind them.
She said I'd have to work it out for myself.
(mid-tempo music)
(mid-tempo music with female vocalization)
(slow music)
- [Finn] Hey, where's Harry?
- I don't know.
Have you seen Harry?
- [Francesca] No, I thought she'd be here by now.
- We can't even call her.
- You don't know where she lives either?
- Hey look, I'm sure she'll be here soon.
- Guys do not be so glum?
(swing music)
(slow haunting music)
- So you came.
Never said no.
(swing music)
- [Man] How do I recognize that chick?
- [Woman] We went to school with her.
- [Man] Really?
- [Woman] Yeah.
- [Man] Man, she looks so grown up.
- [Woman] Yeah well, we were just little kids.
- [Man] Whatever happened to her?
- [Woman] Well, she was in that car accident.
It was awful.
But last I heard she was overseas.
(slow haunting music)
- Well I got all steamed up and I shout,
tip me over, pour, India.
India.
- [India] Come here, come, come here.
- What?
- Theo. - What?
- Come on.
The other girl in the accident, she died, didn't she?
- What are you talking about?
- Did she die or not, the other girl?
- Oh, India, it was so long ago.
- Let's stay up all night.
- We'll see.
- Come on.
Can't sleep on a night like tonight.
Everyone's here.
It's exactly how we imagined.
Come on, have another drink.
- No, I'm fine.
- You like it.
- Don't, don't.
- What's wrong with you, India?
You never want to do anything.
Look, everybody else is having fun. (laughs)
- [India Voiceover] All those times
she'd kept herself from us.
Why hasn't she said something to me?
I had to find her.
I could only hope she would be there.
- [Theo] What did she look like?
- Swollen.
White.
- Have you even spoken to India this morning?
She's been out there all night and all morning.
- Harriet's hardly been in the picture
longer than a month, all right?
India used to hate it when she'd come over here.
All right, Fran, what are you doing,
and how are you helping this situation?
- [Theo] Finn.
- Because I sure as hell can't see you out there.
- You're her boyfriend.
- [Finn] Where have you been at?
Actually no, you were the one
with the crush on Harriet, weren't you?
Where's your support in all this?
- [Theo] Don't be so...
- You claim, you claim... - Guys.
- To know India better than anyone else, right?
Every since the accident you think
you know her better than me and Fran.
- I do know her.
- Then what's she feeling now, Theo?
What's she feeling now?
Tell me because I would love to know.
- You tell me what she's feeling.
Finn, eh?
You've been with her for what, three years or something.
- [Finn] Oh come on, Theo.
- You've been with her for three years
and then you act like you don't have to take responsibility.
- Fuck off, fuck off. - Stop it.
Guys, stop it.
Stay off each other.
Just break it up.
- Don't worry.
(Francesca sobbing)
(slow music)
♪ Wherever you go I will come along ♪
♪ Your ocean floods our veins ♪
♪ I've seen you go into the shadow ♪
♪ That'll bring you back again, oh again ♪
♪ Oh oh oh ♪
- [India Voiceover] Harriet's last kite
had floated out to sea, torn and broken.
So I made her a new one, white.
I think Harriet was wrong.
I understood her better than she realized.
Perhaps our meeting had not been a coincidence.
And the way she kept herself a secret.
She had craved context, and it had been mine
that had taken hers away.
It was decided we would leave.
The others wanted to go back to the city.
I wasn't sure what I wanted anymore.
But I knew I didn't want to be here alone.
- I love you.
- [India Voiceover] I went to the headland
where I could see out across the water.
Time had once again changed me, and Finn,
and Theo, and Francesca, and shown us what we feared,
a world which is nothing like our make-believes.
But out in the dawn I felt strong.
I had been captured, I had been painted,
and all of me had finally been seen.
(gentle upbeat music)
(slow music)