God's world made flesh commands you in the name of the Father,
he who came to save... What was that?
Oh, God! ..from your envy.
Across the UK...
Whoa! Whoa! What...? What was that?
Please tell me you heard that.
..terrified homeowners are being plagued by the paranormal.
(WHISPERED SPEECH, DISTORTED TONES)
What...was that? Did you actually hear that?
We desperately need help.
I don't want the spirits to turn malevolent.
Right by our ears,
we heard something like... (HE ROARS)
Thankfully, there are three people...
Ah! (BLEEP)
No, no, no, no, no.
..who will stop at nothing...
Ah! It's gone off!
Are you trying to scare us?
(BARRI SCREAMS)
..to return our homes...
(SCREAMING)
It's moving! What the hell's that?
(CROSSTALK) Up there!
..back to the land of the living.
(BARRI GASPS) I just heard "die".
Be gone! This place is insane.
(SCREAMING)
(TENSE TONES)
Guys, I'm feeling really... peculiar about today.
I don't know why.
I'm tingling everywhere.
It's a really weird sensation.
Well, I'm intrigued about this case already.
Yeah, I think we've got our work cut out later.
NARRATOR: In this investigation... BARRI: Ah!
Fuck. Something's grabbed my arm.
NARRATOR:..a woman with no respite at home...
(WHITE NOISE, WHISPERED SPEECH)
Upstairs?
It said there's something... Did you hear it? It says "upstairs".
..is also terrorised at work.
Once it hits 5:00,
you do get the feeling it's not my shop any more.
It is scary.
It's a shocking case for the team.
Who just moved my chair?
(HISSING VOICE)
"Me"! (JAYNE GASPS)
NARRATOR:..as they unearth a restless spirit...
BARRI: Whoa!
Ah!
NARRATOR:..with a sinister past.
(SCREAMING)
(BLEEP) It's moving!
(RINGING NOTES)
(TENSE TONES)
Look at my hands. They're sweating.
I feel really nervous.
It's almost as if somebody's watching everything we're doing.
Wow.
NARRATOR: Although Barri and Jayne have seen case notes,
medium Ian relies only on his psychic senses to guide him.
There's definitely a spirit here
that's gonna be a strong personality, I feel.
I feel that's a male spirit.
It's human? Yeah.
OK. I think so.
NARRATOR: The team are on their way
to investigate this sprawling farm estate...
..which includes a shop run by Hannah,
and a two-bedroomed house,
where she lives with her partner and two children.
We've lived here for about four years,
and it is a fantastic vibe during the day.
However, things definitely change.
When the sun sets,
that's where it starts to get creepy.
(MUFFLED SCREECHING)
Once it hits 5:00,
you do get the feeling it's not my shop any more,
and it's someone else's, and they want you out.
It is scary.
It constantly feels like somebody's right behind me,
especially when I'm in the butcher's and cleaning up at the sink.
With the butcher's chains down at the door...
(FAINT WHISPERING) ..you can't fully see
who's on the other side.
But you do see shadows.
And when the chains move,
by themselves,
it scares me half to death.
(SCREECHING)
It is getting worse,
and it's definitely getting more intense.
(WHOOSHING, DRAMATIC TONES)
Now, being in a butcher's,
surrounded by sharp objects and machinery,
it worries me that it's getting physical.
Especially when I have children as well.
(SCREECHING, BIRD SQUAWKS)
There was a time where I was in the barn,
and the tools started turning on by themselves.
(CHAINSAW BUZZES)
Now, if they can do that,
what can they do in a butcher's?
(METALLIC THUD, SCREECHING)
As soon as you open that barn door, you feel like you're being watched.
One day, standing there,
right in front of our furnace,
was a man.
Now, I only saw from about here down.
He had a bright white moustache.
He was wearing a waist jacket.
He also had massive puffy trousers,
and tall, knee-high brown boots.
And after doing a lot of research,
this land was owned by David Lloyd George,
the Prime Minister.
We actually have orchards which were planted by him,
and they're still producing fruit to this day.
And he used to walk across this land to go to his house down the road,
which is still there.
One night I was walking up, back to the house,
and this tall, slim, white shadow
just jumped out in front of me.
(SCREECHING) Absolutely scared me
out of the world.
And a few months later,
my partner, Mark,
also witnessed the same apparition that I saw.
(SCREECHING)
But...it gets worse
with the fact it's now affecting my seven-year-old daughter.
(RATTLING, CREAKING)
Now, she's told me, "Mummy, there's a man in my bedroom."
(CREEPY LAUGHTER)
I don't know how to protect my children.
Now, if they can get physical with me...and Mark,
and move things in the shop,
where does it end?
(METALLIC THUD, DOOR SLAMS)
BARRI: This is it.
Is it a farm?
It is.
Wow.
And orchards.
Really?
I don't like this building to my right.
I feel really nervous about that building.
(SOFT NOTES)
NARRATOR: While Barri and Jayne
head off to research further into the case...
BARRI: Good luck. See you later.
NARRATOR:..Ian's about to find out if this is a shop of horrors.
Hello?
(IAN SIGHS) The feeling I had on the way here...
It certainly emphasises it in this building right now.
I feel really shaky. My hands are dripping with sweat.
I feel really anxious and nervous.
That feels really weird over there.
It's like metal. Or steel...
(CHAINS JINGLE) ..curtains.
But it makes me feel quite scared,
but it's almost as if somebody's stood behind me right now,
watching me. (JINGLING)
BARRI: 'To understand the full extent of the problem,
'I'm meeting life-long family friend and farm owner, Sheena,
'and Hannah's mother, Jane.'
So, Jane, I just want to ask this question.
It's such a beautiful place. (BIRDS CHIRP)
Why are we here?
There's some spooky things going on. Yeah.
At the butcher's after 5:00,
you feel very unwelcome.
(CHAINS JINGLE) There's chains over the door
to stop flies and things getting in,
and the chains swung quite violently...
..on their own.
On their own? Yeah.
(SYNTHETIC BEAT, SCREECHING)
The other day,
it was just after 5:00,
and Hannah looked at the back of the butcher's,
and then swung round and looked at me,
sort of like, "Uh!" Yeah.
And I'm looking at her, going, "What?"
And she's like, "Just run."
And we ran out, and I'm like, "What, what, what?"
And she said it was a mass of dark shadow,
and she felt like it was... right there.
(BUZZING, DISTORTED TONES)
(BIRD SQUAWKS)
(TENSE TONES)
Whoa.
(SOFT RATTLING)
It feels that there's a lot of activity in this room,
and it wouldn't shock me
if there's some form of poltergeist activity,
or something really strange going on here,
maybe moving of objects, or something like that.
I actually don't like being in here,
and all the time I wanna look over my shoulder,
and see if there's somebody in the shop behind me.
(CRACKLING)
It's almost as if...
..THEY would move like that.
It's almost as if somebody's just pushed them
to have a look who's in here.
There is a man's voice.
He's screaming at me. He's shouting at me.
But I'm not sure who he is, or what he is.
But it's here. It, it's like shouting here.
(THUD, RATTLING, SCREECHING)
JAYNE: To find out about this area's past...
Hello, Penny. Hello, Jayne.
'..I've come to meet historian, Penny Griffiths-Morgan.'
Why...have you asked to meet me in the orchard?
Well, it's actually to do with one of the previous owners of this land.
You may have heard of him.
A former prime minister, Lloyd George?
Yes! Yeah.
He's responsible,
probably not with his own hands, probably someone he hired...
Yeah. ..to plant these trees.
Wow. So he owned the land...
Mm-hm. ..he planted the orchard.
So presumably he loved the place.
The reports say he used to spend
quite a lot of time here,
and he found it quite relaxing.
(GRATING TONES, RATTLING)
(IAN SIGHS) Wow.
Why do I feel like somebody's following me everywhere I go?
I wanna look over my shoulder.
(SOFT THUD) Can you hear footsteps?
Yeah. (SLOW BEATS)
Like, LOADS of footsteps. (THUD)
What the (BLEEP)? What the (BLEEP)?
That was on the roof. It was, yeah.
(ECHOED THUD) Hello?
Who's here?
(THUD) Shit!
Where's that coming from? Don't know.
Hello?
It's down the back this time.
(SOFT RATTLING) Something doesn't want us in here.
There's something... And again.
There's footsteps again.
It's almost as if there's something behind us,
behind this wall here... (ECHOED THUD)
..and I feel I'm being drawn behind.
So, Sheena, in terms of activity
that's been reported here on the land,
can you give me some examples?
We've got like a little, um, greenhouse,
and overnight one night, it moved.
(DRAMATIC TONES)
It looked like somebody was actually moving it.
And how many separate spirits do you think are roaming these parts?
Quite a few. There could be quite a few, yes.
What would you like us to do?
Get rid of the bad ones. Yes.
And if the good ones can stay? Yes. If they want to.
But I don't want negative...
No. ..and dark spirits here.
IAN: Ah, there's a wooden...
..building here,
behind the building I was just in.
It's almost like the cabin in the woods, isn't it? It's weird.
Hello?
(DOOR CREAKS)
Oh, wow. It's a house.
Ooh, this feels really dark.
I don't like this feel.
(THUDS, SOFT RATTLING)
Is anybody upstairs?
Don't know, but that was footsteps. Hello?
(SOFT NOTES, THUDS)
What the... (BLEEP)
Where is that coming from?
PENNY: One of the most famous stories
associated with this area
took place in the 1700s,
and it's the story of... the unknown sailor.
On 24 September,
1786,
the description is it was a "barbarous murder".
He was in a pub,
and he met three men by the name James Marshall,
Michael Casey and Edward Lonegan.
He bought them food, he bought them drinks,
and they responded with... murdering him.
And his body was found stripped naked,
almost decapitated,
and thrown down a ravine.
Now, they were arrested quite quickly,
and they were executed, as you can expect,
but then they were also gibbeted.
And what happened in those days,
the gibbet would be erected,
and the men would be hung there, tarred, in chains,
as a warning to others to not commit a similar crime.
Right.
(CREAKING, SCREAMING)
IAN: I'm really nervous about this.
Hello?
(CRACKLING, THUD) What?
That was a cry.
Did you not hear that? No.
(CRACKLING)
(THUD)
There. Oh!
What is that? Where's that coming from?
We're in a child's bedroom,
and this room here particularly
makes me feel quite anxious.
(WHISPERING) God, it's hard to breathe up here.
I'm struggling.
And there is somebody behind you.
I just feel there's a shadow behind you.
(CRACKLING)
There is a man, but I'm not sure who he is, or what he is.
(LAUGHING) I'm gonna get out.
It just don't feel right, does it? No.
Let's get some fresh air.
BARRI: After what we've all learned so far,
it's no wonder Hannah's called for our help.
Hi, guys. Hiya.
Hi. Hello. Hi.
Out of interest,
have you ever heard any kind of footsteps,
knocking or anything in your daughter's bedroom?
Yeah, there is a lot of noises upstairs.
My daughter told me there was a man in her room,
and when she described the man, I don't know who that is.
Do you know what? There could be a couple of avenues
to explore with that.
I found out a little bit from Penny,
about the land, mainly. Mm-hm.
Might play out tonight, might not. Let's see.
OK. OK. Alright.
Shall we get in there?
Mm. Let's go. Let's go.
(SOFT NOTES)
'We're going to begin by recording for EVPs in Hannah's lounge.'
I'm calling out to any spirit persons that are here.
Who are you?
Why are you here?
Thank you. End recording.
There was something hovering.
It was a man. At the bottom of the stairs.
I've got chills.
Have you? Yeah.
OK.
Is spirit here now? Yeah.
Mm.
(ECHOED THUD) I heard that.
Can you make that sound again, please?
I heard it again.
(SOFT RATTLING) I could hear a voice.
Let's see what we've got on here.
(WHITE NOISE, SOFT CLUNKING)
There. What was that? Whoa!
I missed that... That's a few words.
It is indeed. I missed that.
Play it again. What do you hear, Hannah?
Oh, God. (WHITE NOISE)
(TAP, HISSING)
Upstairs. It said there's something...
Did you hear it? It said there's something upstairs.
You can hear that clearly from a distance.
It's not "Hannah", is it? That.. (IAN HUFFS)
It says - (WHISPERING) "I'm upstairs."
It says... No, before that.
That... (IAN BREATHES OUT) Ah...
(WHITE NOISE, WHISPERING) There.
Hannah. It's Hannah.
Says "Hannah, I'm upstairs."
No! Yeah.
That's a man. It is.
That is a man's voice,
straight away wanting to communicate to you:
(SOFTLY) "Hannah, I'm upstairs."
'As this spirit is wanting to speak to Hannah,
'she's going to call out.'
Why are you here?
Why are you visiting my daughter?
Thank you. End recording.
I've just seen a shadow.
Have you? There's something upstairs.
(WHITE NOISE, WHISPERING)
What?
(WHITE NOISE, WHISPERED SPEECH)
"Come here." "Come here"
- and that is really clear. Do you hear that?
I can hear the "here" bit as well.
That's really clear, that "here".
Oh, I've gone chills again.
(WHITE NOISE, WHISPERING)
Oh, my God. That's... "Come here."
That is who's upstairs. Yeah.
Oh, shit. Look!
I fucking saw it too. Did you see it?
I actually saw it.
OK. There is a man upstairs that wants to communicate with Hannah.
Yeah. We need to go up there now.
I'm not going on my own... No, come on, let's all go up.
I'll follow. All of us. Follow me, follow me.
JAYNE: 'As we don't know who this man is,
'or his intentions,
'Ian will sit with Hannah in her daughter's bedroom.'
I'm gonna run EchoVox, ITC application.
'While Barri and I position ourselves in the master bedroom.'
Ian... Yeah.
..can you sense a male energy,
or any spirit upstairs now?
I can sense two spirits here.
There's definitely a male here. A man.
Yeah. But there is another spirit
I'm unsure about at the moment.
Hannah?
Yeah. Are you OK to call out?
Ask questions while I record this.
Yeah.
Who's here?
Why are you visiting my daughter?
MALE VOICE:
Here. Here.
That was a man as well.
That was really clear. Did you hear that?
Yeah. The gentleman. What's your name?
MALE VOICE:
That was something there.
I thought it said "Woody".
(HANNAH LAUGHS) Did it?
What's your name, sir?
(DISTORTED SPEECH)
I think I heard "Edward" then.
Did you? And it's really, really funny.
I thought that said "Woody", or something like that.
I heard "Woody" earlier.
Yeah. OK.
Kind of "Ed-ward". Could that be his surname?
Yeah, it could be "ward" that I'm hearing. Edward.
I do know, I found out from Penny
that on this land
a sailor was murdered in the 1700s.
He was never identified.
But we still to this day don't know who he was.
Was he known as Woody?
Edward?
Mm-hm. Shall we ask?
Yeah. Yeah.
So he was a sailor? He was a sailor.
That's really weird,
'cause my daughter loves all the old sailor songs.
No. Yeah, she always plays them.
Did you hear that? She plays old sailor...?
She loves old sailor songs.
Like sea shanties, kind of thing? Yeah, she loves sea shanties.
I wonder if he sings them to her,
and she plays them for him.
Maybe, because it's not something that we play on a regular...
(HANNAH LAUGHS) ..you know, it's not...
Shall we ask? ..really normal.
Ask, yeah. Are you the sailor that died here?
FAINT MALE VOICE:
Wow! Yes.
Yes, ma... Yes...?
Was that "Yes, ma'am"?
It sounded like "Yes, ma'am"... "Yes, ma'am."
I've got a transcript of the newspaper article.
Shall I read a bit of it and see if it triggers something?
Mm. Yeah, please.
OK. "On Sunday last, a very shocking and barbarous murder
"was committed by three abandoned villains."
FAINT VOICE:
"Me"? Yeah.
That said "me". Well done, Jayne.
I've got chills again. Mm-hm.
"One of the men said to his companion,
"Lend me your knife.
"I'll have another cut at him."
FAINT VOICE: ALL: Yes.
Wow. Wow.
FAINT VOICE:
Edward.
Yeah. Did that say "Edward" again?
I think it did. Is your name Edward?
FAINT VOICE:
"I am."
Edward?
Do you follow...Hannah in the butchery and in the shop?
FAINT VOICE:
Yes.
'We move the investigation to the shop,
'to see if Edward is the same spirit
'trying to scare Hannah.'
How does this place make you feel?
Intimidating. Especially when you're at the sink
and you've got that back to this doorway,
the feeling of somebody coming right up behind you.
'I'm giving Hannah an EMF meter,
'which will measure any temperature changes,
'and I'll record for EVPs.'
Edward, have you follows, followed us in here?
Is there anything you'd like to say to me?
(THUD) Did you hear that knock?
Yeah. Mm-hm.
'It sounds like it's coming from the butchery.'
How do you feel about going in, Hannah?
Yeah. I'll go in. Want to?
Call out for him in there, Hannah.
Edward, are you in here with me?
(THUD, ECHOED SLAM)
These are loud.
Spirit, if you are consciously aware of our presence,
knock once for yes,
twice for no.
(THUD)
(RATTLING) Yes.
Thank you. Straight away.
Hannah, call out.
Edward, are you in the butcher's with me?
(THUD) Oh, my God.
Wow.
(JAYNE SIGHS)
Hannah. Mm?
You're not gonna like me very much.
But we're gonna leave you alone in that butchery.
We're gonna run a spirit box in there
to see whether Edward, Woody,
will communicate with you.
OK.
'Hannah will be blindfolded to heighten her other senses.'
Are you ready, Hannah? Yeah.
'Jayne, Ian and myself will observe from the nerve centre.'
(WHITE NOISE, BUZZING)
Somebody just wiggled the back of my chair.
Wow. Oh, my God.
(BUZZING) Wow.
Who just moved my chair?
(FAINT SPEECH)
"Me." (JAYNE GASPS)
(WHITE NOISE)
Who's standing next to me?
(BUZZING)
Somebody's moving my chair.
God. Oh, my God.
Can you tell me your name?
(BUZZING, FAINT SPEECH)
Edward.
Did she... That said "Edward".
Oh, my God. Yeah.
That's incredible. Yeah.
It has got so cold.
Why are you trying to intimidate me?
(BUZZING, FAINT SPEECH)
I thought that said "I want you".
We actually think
that response said "I want you".
Oh, OK. (BUZZING)
Why do you want me?
(FAINT SPEECH)
That's a whole sentence. Yeah, there was a response there.
I can't work out what it's saying. (BUZZING)
'I'm going back in to help decipher the responses.
'But I also want to see how Edward reacts to this butcher's knife.'
(BUZZING, FAINT SPEECH)
Did that just say "knife"?
(CRACKLING)
It... That's what...
Open, take your blindfold off.
(BUZZING, FAINT SPEECH)
I literally just picked this up.
And that said "knife".
Jesus. Wow.
I just feel there's somebody at the back here.
So right at the back of the room. Right.
'We move Hannah to the back of the room,
'and we're going to try for more EVPs.'
Ask about the knives.
Are you trying to hurt me?
FAINT MALE VOICE: Yes.
Fuck.
What...was that? Did you actually hear that?
Did you hear that? I heard, I heard a "yeah".
Amazing.
'I'm not sure this intimidating spirit is the murdered sailor.'
'I have another theory.
'But I don't want to bring it up while Hannah is still with us.'
Look, that has been an incredible spirit triggers.
Good job. Well done.
Come on, let's go.
BARRI: 'It's time for Hannah to leave us for the night.'
To capture any unusual activity during the investigation,
the crew are setting up infrared cameras,
which will be constantly monitored in our nerve centre.
(CRACKLING)
Now, I've got six cameras that I wanna use.
I'd like to concentrate on those hotspot areas, though.
You've got the butchery.
You've got the farm shop, and the house.
Because we got those amazing EVPs in there, didn't we?
Yeah, we did. Yeah.
Shall we get cracking?
Let's do it. Let's go for it.
Barri to nerve centre, over.
(BEEP) "Go ahead, Barri."
Can we turn all the remaining cameras to infrared?
(BEEP) "Yeah, we'll do that now."
Let's go. OK.
(BUZZING)
JAYNE: 'We start in the house,
'and before we begin, I want to share my theory.'
Look, before we do anything,
I just need to tell you both
there was something that I was holding back
while Hannah was with us.
Because I didn't want to scare her,
or worry her into thinking
that there may be the spirit of a murderer
communicating with her daughter.
What? Wow.
I'll talk to you about the sailor that was murdered.
One of the three men responsible for that murder was called Edward.
No way. Edward Lonegan.
Now, the sailor could be Edward too,
or we could be dealing with Woody,
the sailor... Mm-hm.
..and he may be telling us,
or warning Hannah,
that Edward...
I think that's more correct... ..is here.
..because when I was communicating,
Woody came out...twice, three times.
So you think it's two separate individuals?
Yeah, I do.
Well, I think we just need to establish that, then, don't we?
Shall we try to contact Woody?
Because I think he was most communicative here,
wasn't he, upstairs.
Woody?
MALE VOICE:
Was that a "yes"? Yeah, it was.
Is your name Edward?
(SOFT MALE VOICE)
No. No.
That's clear. That's crystal.
Woody, is your name Edward? "No."
So Woody and Edward are two separate characters.
Yeah. Woody?
(FAINT SPEECH) We believe that you were a sailor,
and that your life was taken.
You were murdered.
We know that... FAINT VOICE:
Was that "careful"?
Yeah, I thought it said "careful".
Woody, is Edward Lonegan here in spirit as well?
(FAINT SPEECH)
Help? "Help me"? Mm-hm.
I...
..keep feeling and sensing
something on those stairs.
OK.
I'm thinking I should take the SLS camera
and see if I can map a spirit form up there.
(CRACKLING) "I'm coming up."
'Ian and I will stay downstairs
'and run an ITC word bank application.'
Woody?
Try to speak to us.
Help us understand what happened here
and why you're here.
(CRACKLING)
"Woody.
"If you're up here,
"show yourself."
"You like to talk... to the little girl
"who sleeps in this room."
(ECHOED SLAM) What was that, Adrian?
Was that behind you? Yeah, it's behind me.
(TENSE TONES, CRACKLING)
"Show yourself to me, please.
"Let me see your form."
(CRACKLING) Ah! Ah!
Something's grabbed my arm!
(CRACKLING) "Woody? Are you up here?"
(CRACKLING, RATTLING)
What? Did you just feel that?
"Literally like something just walked between us both."
Something walked between us, literally right now.
Absolutely, 100%.
Wooden?
Wooden. Oh.
Do you know what I'm thinking? What?
Is that the closest word in the bank?
BOTH: To "Woody"?
Yeah. It could be.
FEMALE VOICE:
An attempt at the name. "Attempt." There you go.
There you go.
Barri, we've just had the word "wooden",
and then "attempt" when we were talking about,
maybe Woody
was trying to tell us his name. Wow.
Woody, do we need to deal with Edward?
Are we gonna find Edward
hiding in the butchery?
(CRASH)
Er, that, that whole box just fell over by itself.
What the fuck? Literally, Adrian is stood here,
and that whole box has just fallen off there.
'Is this Woody trying to get our attention?
'What is he trying to tell us?'
(SOFT NOTES)
'We know from the case notes
'that both Hannah and Mark
'have seen a tall, slim, white apparition outside.
'Could this be Woody?
'Or is it Edward?
'Using a thermal imaging camera, I'm going to investigate the area.'
If there are any spirits here... (BUZZ)
..please make yourself known.
'While Jayne and Ian head to the barn.'
I don't like it in here.
No. I don't.
'Hannah's seen an apparition in here
'that looked like David Lloyd George,
'the former Prime Minister, who previously owned the land.'
We could try some hydromancy.
OK.
(HISSING) 'Barri's set up a smoke machine,
'which allows spirit forms
'to appear in the mist.
'I've also got an instamatic camera,
'and Ian's got the full spectrum camera.'
If there is a spirit in here that can hear my voice...
..maybe you're the gentleman that Hannah saw.
Are you able to appear to us this evening?
And allow us to see you?
(BUZZ)
What? Something just touched my arm.
"Where?" "Here."
It was like someone just went like that.
Or hit my arm with something.
"Come on then, spirit."
Whoa! What was that? What was that?
Whoa. What the fuck?
You OK? Yeah.
Something, something moved to... over here, somewhere in the bush.
(HISSING) Is there anybody here with us now?
(SMOKE MACHINE HISSES) The gentleman?
Are you here?
Adrian, Adrian, stop. Don't move. What?
Right behind your shoulder.
What? Just stay there.
I'm gonna turn the torch on.
There was a white shadow.
Here.
See this area here? Yeah.
It just lit up in white. Fuck.
'We're not picking up anything in the barn,
'so perhaps David Lloyd George
'is not a consciously intelligent spirit.
'Just residual.'
He's only been seen once.
Mmm. No interaction with anyone.
No movement, even.
No.
And I'm not feeling anything at the moment.
(CRACKLING)
"Edward?
"Are you here?"
Whoa! Ah!
Ah!
What's that?
Is it Barri? Barri?
Shall we see if he's alright?
Dude, are you alright?
What the fuck happened there? I thought someone was behind you.
Yeah, I know, I fucking felt it. Fuck.
I spun round, there was no-one there.
Are you alright? Have you hurt yourself?
Fuck's sake. I've got thorns stuck all over me.
My arms, everything, on my legs.
What was that?
I don't know.
Barri? Baz?
Yeah. Barri, what happened?
What's that?
I thought I saw someone. Or something.
Yeah. And I just legged it this way,
but unfortunately I stacked it into this...bramble.
Er, stinging nettles.
Oh, wow. You've got yourself a bit.
Yeah. You alright?
What did you think you saw?
I honestly couldn't tell you.
All I know is that there was definite movement and a mass.
I know that I wasn't alone here.
Adrian even heard it too.
'Whoever this was,
'it was trying to intimidate us.
'Which is what Hannah experiences in the shop.'
Ooh, this, er, feels different, doesn't it?
It does, doesn't it?
'Back in the butchery,
'we're going to use Necrophonic
'to establish if this intimidating spirit is the murderer, Edward.'
Edward?
(FAINT SPEECH) What was that?
(SOFT THUD) Ooh!
Fuck. (FAINT SPEECH)
Fuck. Where was that?
There was a knock on the wall.
Edward?
HISSING VOICE:
Did that say "get out"?
(SOFT THUD) Why can I hear things rattling,
shit like moving on shelves? I know.
Edward, where are you?
(FAINT SPEECH)
"Here". (CROSSTALK)
Yeah. Where's here? He's in here with us now.
(CROSSTALK)
Ah! What?
We're not leaving, Edward.
He's trying to intimidate us... Yeah, yeah.
Edward, we know... HISSING VOICE:
"Leave." We know what you did.
(HISSING VOICE)
"Observe."
Where are you, then? Let's see.
(SOFT THUD)
Did you hear that?
That's like poltergeist-like activity.
Yeah, it is.
Just, just be careful.
Because if we've got poltergeist activity,
we've got very dangerous items in this room.
FAINT VOICE:
"Get them." (FAINT SPEECH)
OK, so you ask questions. I'm gonna mutter prayer.
OK.
'Prayer will either make Edward retreat,
'or anger him.'
Edward, did you kill Woody?
(FAINT SPEECH)
(DISTORTED SPEECH)
Yes.
You know he said "observe"? Yeah.
It's like "watch my power". Watch what I can do.
Edward.
You're gonna have to leave this place.
(DEEP MALE VOICE)
(SCREAMING)
Everyone calm down. Just stay calm.
Jesus Christ. Edward?
The chains actually just moved on their own.
I know. You're gonna have to leave.
You're not welcome here.
Edward, you'll be asked to leave in the name of Jesus Christ,
in the name of the love and the light.
(THUD) Did you hear that?
Oh, my God. That was in the room.
There's rappings everywhere.
Ceiling. Walls. Floor. (THUD)
Whoa! Whoa.
Right, stay here, guys.
Where are you going? To get my Bible.
(DRAMATIC TONES) 'This is dangerously escalating.
'I need to banish Edward with an exorcism prayer.'
(IAN PRAYS SOFTLY) BARRI: Why do you follow Hannah?
Why are you scaring her?
Why are you intimidating her?
(DISTORTED SPEECH)
Are you still...
Oh! No...way!
We drive you from us, whoever it may be.
Got it on camera.
Did you? Yeah.
FAINT WHISPER: Go.
Did that tell us to fuck off? Yeah, it did.
'I've got holy water to help drive Edward out.'
We ask of you, Father...
..to give us that strength
and grant us the power...
..of the Almighty, in the name of the Father, the Son
and the Holy Spirit.
Amen.
(STIRRING NOTES)
'Edward has been banished,
'but we need to cleanse every corner of the shop
'to remove any residual negativity.'
In the name of the Father, Son and the Holy Spirit,
protect this place.
Save it from evil.
(STIRRING NOTES)
'I'm bringing harmony to the house with pure tone,
'while Ian blesses with prayer.'
We pray, Father, for you to bless this home.
For you to put your strength, your arms around it.
In the name of the Father, the Son
and the Holy Spirit. Amen.
'Finally, I smudge with sage,
'to give Hannah a clear slate.'
Need to make sure that every nook and cranny,
and corner, and area of this room...
..is cleansed.
This is where negative energy lingers.
BARRI: 'The next morning, Hannah returns
'to review our evidence.'
Good morning.
Hannah, how are you feeling?
Yeah, not bad, thank you.
Good. So, Hannah, as you know, you joined us initially.
So we started downstairs,
and straight away we got some really clear responses.
I wanna play this one for you.
(WHITE NOISE, WHISPERING VOICE)
Oh, my God. What do you hear?
I hear "come up here".
Yeah, it's either "come up here"... Or come up...yeah.
Yeah. Wow.
So we went upstairs, didn't we?
The shadow led us up there,
and Barri was running an application called EchoVox,
and we did get some responses.
"The gentleman. What's your name?"
MALE VOICE:
It's Woody. Can you...? Yeah.
Well, we wondered who this character Woody might be...
Yeah. ..Hannah.
And I'd learned from Penny, a historian,
that there had been a murder on the land here in the 1700s,
and it was a sailor.
And then you mentioned something about your daughter,
and a particular type of music that she likes to play.
Remind us of that. Sea shanties.
She absolutely loves,
and she plays it a lot in her bedroom.
But now Woody's come through,
and the history on Woody, yeah, that blows my mind.
(HANNAH LAUGHS) Well...this response
is gonna blow you away. Oh. OK.
"Are you the sailor that died here?"
(WHITE NOISE) FAINT VOICE: Yes.
(FAINT MUSIC, FAINT SPEECH)
What do you hear before the response?
Was that music playing?
Well... That was singing, wasn't it?
It was singing.
Oh, my God. Play it again.
What kind of singing is it? Just listen.
(WHITE NOISE, FAINT MUSIC)
(FAINT SPEECH)
Is that Sailor Man? What?
Like the nursery rhyme? Yeah. Da-na-na...
What would I do with the drunken sailor?
That's it.
(WHITE NOISE, FAINT SINGING)
(FAINT SPEECH) It is.
And "up she rises".
Yes, it is. "Up she rises."
(HANNAH LAUGHS) Yeah, yeah, yeah.
Wow.
My daughter sings that song.
We did not hear that at the time. We didn't at the time.
But she likes to sing that song.
Wow.
Do you know what? I think he's taught her to sing that song.
So do I, Jayne. I think that is a little thing
between the two of them.
It's not something actually that's sinister.
Woody doesn't seem to be a malicious...
No. ..spirit.
However,
we did get some other responses
throughout the evening,
and even while you were still with us,
which weren't quite so friendly.
One of the murderers,
or one of the men who was responsible for the sailor's death
was called Edward. Mm-hm.
Edward Lonegan.
Jayne was reading out this newspaper article...
Mm-hm. ..which identified the killers.
There was a very clear response as she was reading this.
"One of the men said to his companion,
"Lend me your knife.
"I'll have another cut at him."
(FAINT SPEECH) (JAYNE GASPS)
"What was that?"
"What did that say?" MALE VOICE:
It was almost validating
everything that Jayne... Jayne was...yeah.
Wow.
So after you left us, Hannah,
we decided to begin our investigation in your home.
Mm-hm. And once again,
we were using the EchoVox application,
just to try and establish
more information. Yeah.
"Woody?
"Is your name Edward?"
MALE VOICE:
That was a definite "no".
So we knew now... There were two different...
Exactly. There were two very different spirits.
So given that,
we did decide to go back into the butchery room,
and our time in that room
really, really shook us all up.
It was very unusual, Hannah.
We heard sounds that we haven't heard anywhere...before.
We recorded some responses
that came through one of the ITC applications
we were running at the time, called Necrophonic.
I just wanna play you those, then I'll play a video clip as well.
OK.
"Edward?"
(FAINT SPEECH)
Hm. What we hear there is "get out".
Yeah. That's... But it's a quite aggressive...
That's a nasty response.
"Edward, we know..." RASPY MALE VOICE:
The responses, they just sound nasty.
Mmm. Mm.
They were coming thick and fast,
and we were getting hit after hit, after hit,
and it culminated in this response,
and then a video clip I'm gonna play you.
(FAINT RASPY SPEECH)
WHISPERED VOICE:
What's it saying? I hear (WHISPERS) "observe". Watch.
RASPY VOICE:
JAYNE AND IAN: Observe. Yeah.
Well, what?
What was Edward... Gonna do?
..asking us to observe?
I'm gonna tell you now,
this is probably one of the best clips I've seen in a long time.
Oh, do I wanna see it?
(HANNAH WHEEZES) Go on then.
(TENSE TONES)
(IAN MUTTERS) "Are you still...?"
"Oh!" "No...way!"
Ssh...
Shut up.
I'm shocked.
No wonder I didn't like being in there on my own.
Yeah.
It was a pretty intense experience for all of us.
It was only when Ian began conducting his prayers
and form of exorcism prayer,
that actually Edward was forced to cross.
But you're probably wondering about Woody.
Yeah. Because actually Woody is the spirit
that has had... the biggest influence, I guess,
especially over your daughter... Yeah, definitely.
..this connection, almost a friendship that's formed.
Yeah. And it's that very connection
that led us to the conclusion
that actually we couldn't cross Woody over without you.
Because he almost needs your reassurance now
that it's OK to cross.
So what we would like to do,
if you're happy to join us,
is just light a candle... Mm-hm.
..and help send Woody across into the light,
with your permission.
Yeah, definitely.
(MATCH SCRAPES, STIRRING TONES)
I'm calling out to Woody.
Thank you for talking to us, Woody.
This is now your opportunity...
..to be at peace.
Woody, I want you to keep walking
until you see this light.
But before you walk into that light...
..Hannah would like to say
a few words.
OK. Woody.
I'd like to say thank you for looking over all of us,
but most importantly, my daughter,
and the friendship that you created.
Take care.
Thank you.
Now, Woody, walk towards that light.
As Woody is now reunited with his loved ones.
Amen.
(STIRRING TONES CONTINUE)
(BIRD CHIRPS)
NARRATOR: It's another successful outcome for the team.
That was scary.
BARRI: Feel like I've been through the wars.
Yeah, I wonder if they will still see David Lloyd George.
NARRATOR: But who knows what the next case will bring?
(DRAMATIC NOTES)
Captioned by AI-Media ai-media.tv