God's word made flesh commands you,
in the name of the Father, who came to save our race...
What was that? Oh, God!
..from your envy.
Across the UK...
Whoa, whoa! Whoa, whoa!
What was that? Please tell me you heard that.
..terrified homeowners are being plagued by the paranormal.
What... Did you actually hear that?
..was that?
We desperately need help.
I don't want the spirits to turn malevolent.
Right by our ears we heard something like... (ROARS)
Thankfully, there are three people...
Ah! (BLEEP) BARRI: No, no, no, no, no!
..who will stop at nothing...
Ah! It's gone off!
Are you trying to scare us?
Aargh!
..to return our homes...
(THEY SCREAM)
It's moving!
What the hell's that?
Up there!
..back to the land of the living.
(GASPS) I just heard "die".
Be gone!
This place is insane.
(THEY SCREAM)
I feel a lot of energy for this property, guys.
What type of energy?
Um, it kind of feels residual.
Well, that's interesting, isn't it, given
what we know of some of the experiences, Barri?
Mmm.
There are a lot that may be residual.
An interesting investigation awaits us.
Mmm.
In this investigation...
Whoa, whoa! What was that?
Please tell me you heard that.
..a malevolent manor house...
Shadow.
There was just a shadow going across that door.
Hello?
..spooking its residents...
I climbed out the window
because I was too scared to open the door.
..home to mischievous youngsters...
Hello? Oh, my god!
Are you alright? Seriously.
What? There's a child in there.
..mysterious matrons...
She's there! Where?
No way!
..and a vindictive vicar.
Reverend John Leigh, did you attack Aimee?
"Yes." Yes!
Oh, my god!
..who assaults our crew.
Whoa! What was that?
I have a feeling that there's gonna be a female energy there.
Er, adult? Child?
I think it's an adult, yeah. OK.
While Jayne and Barri have studied case notes,
Ian likes to enter investigations with no prior knowledge -
so he can be certain it's only his spirit guide that's informing him.
Are you getting anything else from the lady, Ian,
or are you picking up on any other spirits?
I do feel that she's not gonna be that happy,
me walking into the house.
Oh, OK.
So she's quite dominant, then, quite a dominant character?
Yeah, very dominant.
The team have been called in to investigate paranormal activity
at the 13th century Bardon Manor by Geraldine,
who lives there with her husband, son and father.
I originally came here when I was four-years-old
and I've lived here for, really, my whole life.
I would say that Bardon House is definitely haunted.
I think this house is so full of spirits.
Not only have we seen shadow figures,
we actually caught one on camera...
..some children playing with a pinata
and, behind them,
we actually caught the shadow figure of a guy
with a top hat on.
The east wing has a much colder feeling.
When you go over to the east wing,
you feel that someone is slightly following you around.
You can hear feet running down the corridor...
(LAUGHTER)
..and also the feeling of a housemaid
or a matronly-like lady,
that seems to walk the corridors over there.
It's almost like she has that presence -
that she's going to tell you off or she's cross with you.
I was working at the top of the stairs with some pictures
and I'd taken some old pictures out of frames.
And, as I was putting a new picture in the frame -
before I knew it -
I'd fallen backwards down the steps
and I'd ended up hitting my head on the table.
There must have been some force that pushed me backwards.
I don't want the spirits to turn malevolent.
I don't want them to push anyone else down the stairs.
We'd like the team to find out for us
if the spirits here are happy that we're here.
We'd like to know who they are
and move on any spirits that need to move on.
We want the bad ones to go, if there are any.
We all need to be safe.
This is it.
JAYNE: Well, this is giving me goosebumps already.
IAN: It looks haunted.
Oh, my god. This is so spooky.
What an incredible house.
While Jayne and Barri go to find out more about the case...
See you later. Later.
..Ian must try to track down the spirits
inside this huge, rambling manor house.
Hello?
Wow.
The energy has taken my breath.
There's a lot of residual, instantly, in this property.
I can just see spirits out of my peripheral vision.
Adrian, could you hear that?
ADRIAN: I heard that.
I...I don't know where that came from.
I don't know whether it was upstairs,
to my right - I think it was.
It was definitely to my right.
I... (THUD)
Heard that too.
It's to my right.
Hello?
There was a shadow near this fireplace here.
Hello?
I'm in the grounds of the manor,
meeting up with Geraldine's husband, Toby.
How you doing? Yeah, good.
Alright? Yeah, thanks for meeting me.
Why are we here?
Oh, this is my caravan
that sometimes I stay in to escape the madness
from down the house, you know.
So there's a lot going on in the property, then?
So tell me more about it. What have you been experiencing?
I've had a feeling one day, when I was on the east wing,
that I was being watched.
The hairs on the back of my neck were standing up.
And there's an old picture of a...apparently it just used to be
the cleaning lady, or the nurse, because that's an old nursery.
And I thought, when I opened the door,
she was gonna be stood there.
So I climbed out the window
because I was too scared to open the door.
I was like, "Oh, my god. She's gonna be the other side."
I actually felt that there was somebody the other side.
It was strange because I went back there ten minutes later
and the whole feeling had gone.
I can hear, like, female shouting, with an accent.
And I can hear, "Children, children."
So I'm wondering if the lady
that I picked up on in the car, on the journey here...
...is this the same lady?
Is she a maid or is she somebody
who would have looked after the children?
She's quite portly.
She's quite a big lady.
So I wonder where these children can be.
Hello?
I mean, this property is massive. Right?
Yeah.
But you think the most active part is the east wing?
Yeah, convinced of it.
There are strange things that go on in there,
some things I can't describe.
Like, you can come back from work and be the happiest man
in the world and, then, you can walk into a room and it...
You know, the temperature lowers
and your emotions lower dramatically.
There's no question in your mind, then,
that Bardon Manor is haunted.
Yes or no? Yes, definitely.
It is haunted? 100%.
I never believed in it before until I moved here.
Wow.
Hello?
(FLOORBOARDS CREAK)
This room, for me...
..is totally different to the other spaces in the house.
It feels uncomfortably wrong.
It doesn't feel very welcoming.
It doesn't feel right.
This lady seems to be watching me wherever I go.
But it's almost like she can't understand why I'm here.
Doesn't understand... There's a shadow.
There was just a shadow going across that door.
Hello?
It wasn't my light.
There was definitely a shadow.
I don't understand.
That shadow just disappeared in this wall somewhere.
It's really confusing.
There's doors here but they don't lead to anywhere.
They're just a cupboard.
But this part of the house is really active.
The energy feels a little bit darker here.
Just makes me feel uncomfortable.
I'm meeting historian Bobby Rammond,
just outside Bardon Manor,
to find out more about the property
and who used to live there.
What is this place?
This is the Monk's Path.
So, historically, it used to lead from Cleeve Abbey
all the way to Watchet.
And, obviously we're near to Bardon House
so it stops off at Bardon House along the way as well.
So do you know anything of the house we're interested in?
So Bardon House is a very interesting building.
You've got the Leigh family that moved in 1595.
We know for a fact that the Leigh family lived here
for about 300 years,
which I think is fairly impressive.
So the Leigh family were there between
the 16th and 19th centuries.
So paint a picture for me.
What would life have been like for them?
Being a wealthy family they would have cooks,
they would have had the cleaners, their own wet nurses.
There'd have been children running around.
They would have had their own stables and horses.
Have you ever heard any ghost stories
connected to the house itself?
Only of Robert Leigh, apparently, still haunts the house.
There's been stories of...apparently people believe
they were witnessing the spirit of Robert Leigh over the years.
Yeah. Yeah.
I mean, I've only seen the house from outside
and it does look your typical haunted house.
Does look very haunted, doesn't it?
Oh, wow.
Ooh, this feels very strange.
I've got a tightness in my chest here.
I can hear running little footsteps,
as I would call them,
which represents children running around.
While I sit up here in this space I feel quite unwell.
ADRIAN: Feels like there's something behind me.
There's something behind you? Feels like it.
As I said "unwell".
I wonder if it's this matron or maid coming up.
Maybe she slept up here.
But I do see a child here as well...
..which is a little girl.
There's some really positive energy here...
..but there's also a darker side, as you walk across the corridors,
that makes you feel really uncomfortable.
So there is a darker presence,
something that doesn't want you in this house -
which does make me feel a bit anxious, if I'm honest with you.
BARRI: There's clearly lots going on in the house
and I'm not surprised Geraldine has called us in.
Hiya.
Oh, wow. That's a long walkaround.
This place is massive.
There's just huge amounts of spirits, you know,
just walking around this location.
However, I did sense a female around here.
She was quite a portly lady.
But I could hear children playing as well, giggling around.
That fireplace there,
there was something in my peripheral
and I did see a shadow of a man there.
Well, why don't we start spirit triggers by trying to communicate
with this gentleman,
maybe the figure by the fireplace?
Mm-hm, sounds good.
Geraldine, so if I press record, would you be happy to call out?
Yes.
OK.
Good evening, spirits of Bardon. How are you?
How are you feeling this evening?
VOICE: Mmm.
What was that?
That was a man, and it sounded like a "mm-mm".
Thank you. End recording.
Let's play it back to see what response that was.
Did you guys hear it at the time? IAN: Yeah, yeah, yeah.
Yeah.
Good evening, spirits of Bardon.
How are you?
How are you feeling this evening?
(GASPS) There! That's really clear.
That's brilliant. That was quite loud, wasn't it?
Yeah, "Mm-mm." That's incredible.
Yeah.
We've established communication with spirit
and now I have an idea how to find out more about them.
I want to try the ghost box,
which is a radio - a sweep radio -
that allows spirits to communicate
through the white noise.
Mmm.
Ian, do you want to call out on this one?
I'm calling out to any spirits that are here.
Could you tell me your name?
Did that say "ghost"? Ghost.
I think it said "ghost". Yeah, yeah. A wee ghost.
How many spirits can see us now?
I'm John. John.
I'm John.
Now, John...
That's enough.
John is a family name of the Leighs, isn't it?
Mmm, yeah.
There are several Johns in the family tree.
John.
That's pretty clear. Yeah, "I'm John".
So we're communicating with a male spirit.
I was expecting him to be Robert Leigh -
who's been seen here many times -
but we got John from the ghost box.
And, looking at the family tree,
I have an idea who that John might be.
So, late 18th century - so 1700s, into the early 1800s -
there is a Reverend John Leigh.
He passed away in 1823.
So shall we maybe try and establish
if the John who gave us his name in the hallway is Reverend John?
I'd like to use EchoVox, which is an ITC application,
allowing spirits to use banks of phonetics
to try and communicate with us.
Jayne, do you want to call out? OK.
My name's Jayne. Could I speak to John, please?
Are you Reverend Leigh?
VOICE: Yeah.
I heard a "yes", a male response saying "yes".
There was a "yes". So, end recording.
I want to play back that "yes" response.
My name's Jayne. Could I speak to John, please?
Yeah, yeah. Rev-rend.
Yeah. I think it could be.
It is, I know it.
Yes.
Was that a "yes"? That was a "yes".
Mmm. That's a "yes"?
Mm-hm. Yeah.
That male voice said "yes" just before the speaker sounded,
as it turned itself off.
OK, look. We have caught a really clear "yes" response,
which answered our question, "Are you Reverend John Leigh?"
Yeah.
So potentially that's the male spirit that's here in this area.
OK.
I'm confident we've made contact with the Reverend
but now I want to investigate the east wing -
the most sinister part of the house -
where I sensed a female spirit, possibly a nanny,
and also some child spirits.
Ah, this is the peacock room.
Yes, this used to be one of the nurseries.
I think the spirit of the nanny
will be more likely to respond to female voices.
So Barri and Ian are going outside the room,
leaving me and Geraldine.
Geraldine, call out.
Let's find out who this nanny is, if she's OK with us being here
and why she's so stern and strict, scaring people.
We know the children might be sleeping in the nursery.
Have they gone to bed now?
Leave. Leave.
We'd like to know that the children are OK.
Are they feeling well?
Archie?
Is that one of the children's names?
Don't know that name.
Yes. Yes.
OK.
We've had some communication with the suspected nanny
and possibly a child called Archie.
Now we're heading up to the attic here in the east wing,
where I want to find out more about the most sinister incident
that's happened to Geraldine.
I think what we need to do is we need to try and establish
whether or not you were pushed by unseen hands, by spirit.
Mmm. Mmm. OK?
Geraldine, you're going to ask these questions.
So on these stairs, I'd like to ask,
was I pushed down?
Hello. That was a child's voice.
It was a little boy.
Children. Yeah.
It said "children".
I feel this is where the boy would have potentially played,
for some reason.
It's almost like he shouldn't be in here,
but he's playing in here.
Whoa, "play".
That child just said "play". Yeah.
Did you hear that? Mmm.
I heard "John".
Can I speak to Reverend John Leigh?
Can you help us?
Leigh. Leigh.
That said "Leigh". It did say "Leigh".
We've heard a child's voice and also had the name John Leigh.
But it's still not clear exactly who pushed Geraldine
down the stairs.
We're not getting any definitive responses, are we?
We are going to have to ask those questions
during the main investigation.
We're gonna have to clarify exactly what happened to you.
But we've managed to capture so much activity
during spirit triggers already.
Yes, there's a lot going on. There is.
Yeah. Well, thank you, Geraldine.
OK.
And, er, we're gonna crack on with this investigation
so we'll be seeing you tomorrow.
OK.
..and hopefully we'll have lots of things to show you
and to tell you.
Well, good luck. I look forward to it.
Thank you, thank you. Thank you.
Be careful of the stairs. Yeah, watch your step.
Yeah, I'm always careful of the steps, always. Thank you.
As night falls,
it's time for Geraldine to leave us.
To capture any unusual activity during the investigation,
the crew are setting up infrared cameras,
which will be constantly monitored in our nerve centre.
This place is huge so we've got all cameras in use.
Now, the crew are setting up the remaining cameras
but I've asked them to concentrate their efforts here,
in the east wing,
'cause this is the most active area.
We've got a camera going on downstairs,
we've got one in the living room,
we've got a camera in the sitting room.
We've got a camera up here in the attic area.
But I'd like to concentrate our efforts here,
in the east wing, predominantly.
OK. OK.
Sounds good. OK.
Barri to nerve centre, over.
FEMALE: Barri to nerve.
Can we turn all cameras to infrared?
Yeah, copy that.
We're starting off the investigation by splitting up.
Wow.
I'm going to the attic area,
near where Geraldine felt she was pushed.
While Barri and I are in the east wing,
just outside the peacock room,
hoping to capture spirits on the SLS camera.
I'm holding dousing rods,
which will hopefully point in the direction of any spirit activity.
I'm using motion-activated cat balls
and the Alice ITC application,
which announces words and displays them on-screen.
The room is going really cold.
It's really, really cold.
There's a really weird sound.
It's almost like I can hear wind blowing through
but there's no...
'Maid'.
We've got "maid".
Amazing.
So this clearly is a space where the maid would have come.
'Friendly.'
Wow. Thank you.
"Friendly" and "me".
So she's saying that she is friendly
but she comes across really stern.
If there is a nanny here,
can you please show me where you are?
What about the peacock room?
That's the room on your right. Whoa, whoa, whoa. Yes, look.
Is it going in there?
They're pointing to the peacock room.
I think she's in there.
Archie? Could you come up here?
Are you here?
'Age.'
Whoa! What was that?
Shit. Something just, like, hit the back of my knee.
Are you joking me? No, I'm not joking.
Are you alright? Yeah, I'm alright.
OK. It's like something ran into me.
Geraldine got pushed, potentially, down the stairs
and the same thing has just happened to you...
Yeah. ..while we're talking to Archie.
Are you OK?
It's like he wants to play with us.
He does want to play with us. Yeah, I'm OK.
Are you sure?
'Angry.'
Who's angry? We're not angry.
'Attack.'
Oh, my god.
Hang on a minute. Did they just attack me?
Yeah. Who are we talking to, please?
There's something not nice here, I think.
Who's here now?
The energy has changed.
Did you just attack Aimee?
Are you alright, Aimee? Yeah, I'm OK.
It feels awful in here now. Yeah, it's getting intense.
Yeah.
Is this the nanny?
You know what to do with these now.
Be really clear.
Jayne. What?
Look at the screen. Oh.
I had two... Yeah.
..two large figures,
a spirit form on the left-hand side of the door
and one...that one looks like it's pointing for me to get out.
Do you know what?
The rods are pointing exactly where that left-hand figure is.
That one is pointing for you to get out.
It's telling us to get out, look. It is.
Oh, my god. That's incredible.
Oh, my god. They've both gone.
Was that you? What?
Did you breathe out really loud? No.
Did you not hear that breath? I didn't hear it, no.
Oh, my god. OK.
Was it behind me?
It was behind you and it was a really negative breath.
I honestly thought it was you just breathing out.
No.
(BREATH) That, again.
Did you not hear it again?
No, I didn't hear it. Oh, my god. OK.
You must be hearing it psychically.
I'm getting freaked out, actually,
'cause it sounds as though...whoa!
Are you alright? Yeah.
What happened? Again, the same thing.
OK. Back of the leg.
Oh, my god. What is going on?
OK, listen, the rods are pointing down the corridor.
Let's keep moving.
Let's follow her.
Coming down...
Whoa, whoa! Whoa, whoa!
Please tell me you heard that. What was that?
I didn't hear. What happened? I heard it. What was it, though?
It was a laugh.
I just heard a woman. In here?
Yes.
Hello?
She's back. Jayne... Where?
To your right. OK.
In exactly the same place. She's pointing again.
She's literally...
Her arms are...
It's like she's mad.
The spirit form that I'm seeing right now on screen
is absolutely massive.
It's filling the doorframe.
I don't like it up here.
Do you want to go down?
Yes, I do.
Let's go down. Yeah, let's go.
OK.
We're going.
I want to show Ian the portrait
that scared Geraldine's husband Toby,
to see if it resembles the female spirit he saw earlier.
Oh, my god.
I mean, she may be younger than you saw her
but is there anything similar at all?
Do you know, it's not the eyes. It's the jaw.
You know, it's like a boxy jaw. That's what I'm aware of.
But she was more poorly... What the fuck is that?
Hang on. What?
What was that? What?
What's the matter? It was a child's voice.
ADRIAN: It was, like, creaking, and there was a child's voice.
Hello?
As I was talking...who's here?
Let's go in and look, guys.
What the fuck was that?
Did it come from in there? From behind me.
Hello?
It was like these creaking footsteps as well.
OK. Hello?
Hello, are there little children in here?
Barri, come here. What, what, what?
It's here.
Listen. Nobody move.
Here, Jayne. Hello?
Shh-shh-shh-shh.
Hello?
Argh! Fuck! Are you alright?
Seriously. What?
There's a child in there. No, there really is.
Oh, my god.
There's a child in there, in that room back there.
Hello? OK, don't scare them, though, don't scare them.
I scared myself. I fell.
OK, darling.
Right in front of you, Ian...
..five feet in front of you is where...
Where are we?
Why do I feel like they're hiding in these bathrooms?
Are you absolutely shitting me? Ian?
Yeah? There was a child.
I believe you, I believe you.
She's there!
Whoa! Whoa!
No way!
Did you see her? Yeah, she ran in here.
Oh, my god. It's freezing.
It's freezing. Yeah, yeah.
It's really cold.
Both Ian and I saw a child spirit
but, frustratingly, it wasn't captured on any of our cameras.
I want to connect with him or her
and I'm laying out toys to try and attract them
to a motion sensor...
FEMALE: Nerve centre to Barri.
Receiving, over.
The cat balls are going off in the attic.
Let's go, let's go. Er, go that way.
..though it seems they've moved upstairs.
Oh, it's on the bed. It's on the bed!
It's flashing now? Yes.
Holy shit.
Let's do some EVPs.
You call out.
Nice and quiet up here.
Maybe the child is up here.
Main investigation... Ah! It's going off!
Before we've even said anything.
The little girl who Barri saw downstairs,
thank you for lighting the cat ball.
Can you do it again, please?
Can you light the cat ball?
Where's the other ones? One in the window.
Ah! She's done it.
It's her.
Thank you.
Thank you so much.
(BEEPING) Whoa!
Hello?
Are you a child? Do you want to play?
Can you make the lights flash?
I don't think the children are up here.
Oh! You are joking.
No, seriously, that was on command.
Yeah.
If there's a child up here that wants to play...
It's not a child.
Are you an adult?
Are you a male?
Oh! Yeah.
Yes. It's male.
It's a male spirit.
Let's go and see how the guys are doing.
Is that you, Jayne? Yeah.
Hi. Are you OK?
Yeah. We've had the cat ball going off, though.
Yeah. On command.
Have you? How did you get on?
Do you know what?
I can't help thinking that these children
are flitting around between rooms, running around,
but not really spending much time in any one place.
So what we really need to establish
is who are the two children?
Why are they still here?
And we really need a name for this nanny.
Let's head back to the peacock room,
which may have been a nursery -
see if we can make contact with her there.
OK, cool. OK.
The peacock room in the east wing
has been the most active part of the house.
And I'm hoping for more spirit communication here.
I'm calling out to the nanny.
Who hurt Aimee upstairs?
Let's play this back.
Who hurt Aimee upstairs?
Was that a voice?
That says something, doesn't it? Yeah.
..airs?
Careful.
..airs?
The first bit is when Ian is still speaking.
I hear, like, "John Leigh". Do you?
Play it again.
..airs?
Hurt Aimee upstairs?
Oh, God. Now you've said it...
Now I've said it, do you hear it? I hear it.
Was that just me? Yeah, John.
I can hear the "John". I can hear "John Leigh".
That makes no sense. Why would John Leigh hurt Aimee?
I don't know.
Is it because of what we're doing here?
OK, right.
Let's turn the speaker on.
Gonna run EchoVox in here.
Reverend Leigh, did you attack Aimee?
"Yes." "Yes"!
Oh, my god. Oh, my god.
Wow.
Are you OK, Aimee? Yep.
Reverend John Leigh,
are you upset and angry that we're here?
VOICE: Working...in...isn't right.
"Isn't right."
What isn't right?
That's what we need to know. Yeah.
Let's try again. Jayne?
Reverend John Leigh.
"Yes"! "Yes"!
John, are you upset that we are trespassing in your house?
"Yes"! "Yes"!
Oh, my god. Wow.
That was so clear. It was.
Shall I review that? Yeah, just review that quickly.
Yeah. I thought it said, "Isn't right".
Yeah. End recording.
OK. I can't believe that.
Why would a reverend, a man of the cloth,
be physically hurting people, especially women?
Did it say "work"? Women working?
It is "working". I can hear "working".
Hang on a minute. Could he be misogynistic?
Could it be...could he be upset and angry that Aimee,
being a woman, is working?
Yeah.
So we now think we know why the Reverend attacked Geraldine
and Aimee tonight.
But I want to learn more about the female spirit
who's in this property.
To the nanny... I'm gonna call you the nanny.
I hope you don't mind.
Is your name Sarah?
That said yes.
Can I just confirm to the maid or to the nanny, is your name Sarah?
(GASPS) That's a yes. Yes.
Sarah, tell us the children's names, please.
There's three.
What are their names, please?
"Eve." Yeah.
That's little Eve. Eve.
Yeah.
Eve, are you with us?
Is that your name?
I just heard "Bess".
There were some really clear responses there
but Bess and Eve are quite clear, aren't they?
Yeah.
Archie was the other name that you picked up on.
If we feel that the children are definitely here
and that Sarah, the nanny, is definitely here,
I think by crossing the children over that she will go as well.
But I think actually Reverend John Leigh
is a negative force in this house.
And maybe he needs to be sent to the light first.
Even though Reverend John has been in contact
throughout the house,
I feel his presence is strongest by the fireplace
in the morning room - where I first saw him.
While Ian tries to cross John over,
I'm hoping to communicate with him using an ITC application.
Is the Reverend John Leigh here with us now?
VOICE: Enough.
"Enough"? Mmm.
Reverend John, can you come forward, please?
And the one who has lost his path...
..is that you, Reverend John?
Have you lost your path?
"Can't find path." "Path."
As the gates of mercy are opened...
..and your loved ones, friends and family
are there waiting for you...
..we do thank you for the communication.
We do give you forgiveness...
..and you are now safe.
Name of the Father...
I'm happy that the reverend has crossed over.
Now I want to see if Sarah, the nanny,
and the three children here are keen to do the same.
Sarah, I know you can hear my voice.
We want you to be happy.
You are, of course, welcome to stay...
..but I would still like you to walk into that light
and the warmth of forgiveness.
Please walk into that light.
You're welcome to come back, I promise.
God bless you, Sarah.
The children, you can hear my voice also.
The time has come for you to move on...
..to be with your loved ones.
You don't have to stay here anymore.
And I hope you're very brave
and you keep walking until you see your mummies and daddies.
God bless you.
Amen. Amen.
Excellent work, guys. Yeah, well done.
God bless you both.
Let's blow the candle out. OK.
The next day we invite Geraldine back into her house,
to talk her through what we found out.
Morning! Morning.
Morning, morning. Morning.
How are you? I'm good.
So do you think the house feels different, then, Geraldine?
Feels a little bit...bit lighter.
Just, yeah, something seems to...
The atmosphere has changed slightly, I would say.
So after our spirit trigger session,
of course you left us.
And we decided to split, initially,
to begin our investigation.
And Barri and I headed upstairs and I was using dousing rods.
And Barri was with me, using the SLS camera.
At one point the dousing rods swung to the peacock room.
Barri spun the camera around and we caught something.
Wow! Yeah.
You know what to do with these now.
Be really clear.
Both of these energies were very, very large in stature,
very powerful, very domineering.
There were two spirit forms there.
Whilst Jayne and I were investigating the east wing
and that corridor,
Ian was upstairs in the attic area
and he was using an ITC device called the Alice Box.
I sat there for a little while.
I did some calling out and some words came out of the Alice Box.
I can hear wind blowing through but there's no...
"Maid"!
We've got "maid". Amazing!
Wow.
And then the energy in the room changed.
It went very cold.
I started to feel very uncomfortable
and Aimee, behind me,
our camera operative got attacked.
Really? Wow. Yeah.
Her legs from underneath her just went.
Wow. Not once but twice.
We have some footage.
Whoa! What's that?
Shit. Something just, like, hit the back of my knee.
Are you joking me?
Wow. That's quite scary, isn't it?
So, Geraldine, was that very similar to what happened to you,
do you think?
Well, yeah. Now you say that.
I mean...yeah, that's interesting.
Yeah, like, your legs are taken away.
But of course we still needed to better understand
why Reverend John Leigh was here and also the nanny -
why was she still here as well?
So we went back into the peacock room
and the question was asked, "Who hurt Aimee?"
And this was the response.
Who hurt Aimee upstairs?
Just short.
Yeah, short. "John". Very quick.
Yeah. So when we played it back, we heard "John".
I thought I actually heard "John Leigh".
He was making himself known and, actually,
he admitted that he was responsible for pushing Aimee.
So during this session, Geraldine,
we actually then tried to confirm the name of the nanny.
And then we really wanted to know the names of the children
and we did get those responses.
Is your name Sarah?
"Yes." We hear a "yes" response.
Actually, I hear it twice. Yes.
We asked Sarah to tell us the children's names,
which actually told us how many children
we were trying to communicate with.
Sarah, tell us the children's names, please.
"Three." Quite clear, isn't it?
Yeah.
So we already knew that we had a little boy
and we knew that his name was Archie.
But we didn't know the names of the other two,
until this point.
Can you tell me your name clearly?
Yeah, Eve.
It's very short, isn't it, and high?
High up there. Very high.
It was actually quite quick. It was announced quite quickly.
And then, again, we had the name of the second little girl.
Are you with us? Is that your name?
VOICE: Bess.
What was that?
So the male spirit,
i.e. John, he announced the name of the other child.
I would say Bess.
Beth?
I was hearing Bess... Oh, OK.
..as in short for Bessie, maybe.
Now, in cases like this,
we always try to do the right thing by yourself
and the spirits.
And we decided, actually,
that Reverend John Leigh was probably best sent across
to the other side, if he wanted to do that.
So we came back downstairs and we sat back in your morning room
and that's when Ian began to pray.
I opened up the pearly gates and asked the light to come down
and he did go through the light.
And he very clearly told me he'd lost his way.
He'd lost his faith a little bit. OK.
And I think that's maybe why he was a little bit angry
around the house, maybe why he pushed you and Aimee.
But he did go through into the light.
Good.
I normally send other spirits with him
but I thought because I was still concentrating on Reverend John,
I thought this time it would be nice, maybe,
for Barri and Jayne to maybe send or see
if any of the children would like to go through as well.
So we don't think for a moment, Geraldine,
that you will have a completely spirit-free house here
and that it will be completely silent.
You'll probably continue to hear footsteps occasionally
and I'm sure some of these spirits will pop back
to see you at some point as well.
But what Ian did, with Barri and I,
is open that doorway and allowed them the opportunity
to cross over if they want to.
I'm so pleased that you came and discovered all those things
that I couldn't quite discover and that's what I wanted to find out.
Brilliant.
Well, thanks for having us, Geraldine.
That's alright. Thank you. God bless you.
Thank you. Thank you.
Well, I'm pleased we managed to pass the Reverend over.
Yeah, I'm blown away with some of that evidence.
What an incredible property.
This has been an interesting and exciting investigation...
..but who knows what the next case will bring?
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